
Electronica · 2014
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
All In by Ulysses is a bass-heavy Electronica track at 112 BPM with high drive and subtle groove. At 31% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 24 Nov 2014 · 4:18 · 41% mood · -16 dB loudness
The feel
The warmth is the story here — 97% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
31% energy places it in the warm-up — setting the room up before the climb.
Electro (Classic / Detroit / Modern) producer and DJ.
121
Median BPM
5B
Top key
6
Tracks
112 BPM — squarely in electronica territory, mixable within roughly 107–117 BPM without pitch artefacts.
D Major — 10B on the Camelot wheel. Harmonically compatible with 10A, 9B and 11B.
Tracks in 10B, 10A, 9B or 11B between ~107–117 BPM.
Warm-up and opener — 31% energy sets the tone before the energy climbs.
Explore: 112 BPM tracks · 10B tracks · 10B → 10A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Another New Day
Jazzanova
113 BPM · 10B · Electronica
Same key · +1 BPM — seamless blend
Olson (Version 3)
Boards Of Canada
110 BPM · 10B · Electronica
Same key · -2 BPM — seamless blend
Lost Twilight
Zenzizenz
113 BPM · 10B · Electronica
Same key · +1 BPM — seamless blend
Kottbusser Tor
Billow Observatory
112 BPM · 9B · Electronica
Adjacent key · same BPM — seamless blend
Eye In The Sky
The Alan Parsons Project
112 BPM · 10B · Electronica
Same key · same BPM — seamless blend
10B → 10B
Same key, ±2 BPM. With 32% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Lost Twilight
Zenzizenz · 113 BPM · 10B
92 chemistry
10B → 10A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
10B → 9B · 11B
Adjacent keys through a breakdown. This one runs 4:18 — the outro gives you a full phrase to work with.
Kottbusser Tor
Billow Observatory · 112 BPM · 9B
92 chemistry