Techno (Peak Time / Driving) · 2020
Yetti Meissner
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,100 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Nadir by Yetti Meissner is a bass-heavy Techno (Peak Time / Driving) track at 130 BPM with high drive and balanced groove. At 55% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 14 Aug 2020 · 7:26 · 31% mood · -10 dB loudness
The feel
The bass weight is the story here — 92% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
55% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
130 BPM — squarely in techno (peak time / driving) territory, mixable within roughly 125–135 BPM without pitch artefacts.
B♭ Major — 6B on the Camelot wheel. Harmonically compatible with 6A, 5B and 7B.
Tracks in 6B, 6A, 5B or 7B between ~125–135 BPM.
Groove sustainer — 55% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 130 BPM tracks · 6B tracks · 6B → 6A key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Eventide
Victor Ruiz
130 BPM · 6B · Techno (Peak Time / Driving)
Same key · same BPM — seamless blend
Last Decision
Nicolas Taboada
128 BPM · 6B · Techno (Peak Time / Driving)
Same key · -2 BPM — seamless blend
Cryptic Speech
UMEK
131 BPM · 6A · Techno (Peak Time / Driving)
Relative key · +1 BPM — seamless blend
Love Distortion - Introversion Remix
Ellen Allien
133 BPM · 6B · Techno (Peak Time / Driving)
Same key · +3 BPM — seamless blend
Unconfused
Thomas Schumacher
129 BPM · 6B · Techno (Peak Time / Driving)
Same key · -1 BPM — seamless blend
6B → 6B
Same key, ±2 BPM. With 42% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Eventide
Victor Ruiz · 130 BPM · 6B
92 chemistry
6B → 6A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Cryptic Speech
UMEK · 131 BPM · 6A
88 chemistry
6B → 5B · 7B
Adjacent keys through a breakdown. This one runs 7:26 — the outro gives you a full phrase to work with.
Atenea
Nicolas Taboada · 128 BPM · 7B
84 chemistry