Dubstep · 2015
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Running from the Cops feat. Armanni Reign by Virtual Riot is a bass-heavy Dubstep track at 150 BPM with moderate drive and balanced groove. At 49% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 21 Sep 2015 · 3:45 · 44% mood · -10 dB loudness
The feel
The bass weight is the story here — 79% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
49% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Virtual Riot is a dubstep producer known for heavy, bass-driven sound design and intricate production techniques. His work spans the darker end of the dubstep spectrum, characterized by aggressive wobbles and…
145
Median BPM
4A
Top key
2011–2026
Active
85
Tracks
150 BPM — squarely in dubstep territory, mixable within roughly 145–155 BPM without pitch artefacts.
F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.
Tracks in 4A, 4B, 3A or 5A between ~145–155 BPM.
Groove sustainer — 49% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 150 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Alien
Dodge & Fuski
150 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
Taking Over (feat. Sam Nelson)
Tisoki
150 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
Buss It
Megalodon
150 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
Telling Me
Koven
150 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
Flat Line (feat. Virus Syndicate)
Dodge & Fuski
150 BPM · 4A · Dubstep
Same key · same BPM — seamless blend
4A → 4A
Same key, ±2 BPM. With 55% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Taking Over (feat. Sam Nelson)
Tisoki · 150 BPM · 4A
93 chemistry
4A → 4B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
4A → 3A · 5A
Adjacent keys through a breakdown. This one runs 3:45 — the outro gives you a full phrase to work with.
Killer Robots
BARELY ALIVE · 150 BPM · 5A
89 chemistry