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End of the Day album art

Dubstep · 2022

End of the Day

Vimori

150

BPM

12A

C♯ Minor

Builder

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

End of the Day by Vimori is a bass-heavy Dubstep track at 150 BPM with moderate drive and balanced groove. At 62% energy, it works as an energy builder — pushing the floor forward without peaking.

Released 15 Jul 2022 · 3:31 · 42% mood · -6 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 85% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

62% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is End of the Day?

150 BPM — squarely in dubstep territory, mixable within roughly 145–155 BPM without pitch artefacts.

What key is End of the Day in?

C♯ Minor — 12A on the Camelot wheel. Harmonically compatible with 12B, 11A and 1A.

What mixes well with End of the Day?

Tracks in 12A, 12B, 11A or 1A between ~145–155 BPM.

Where does End of the Day fit in a DJ set?

Mid-set energy builder — 62% energy with a steady groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.

Explore: 150 BPM tracks · 12A tracks · 12A → 12B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

567 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Mixing out of this track.

Now150 BPM · 12A→ three ways forward
Hold the groove

12A → 12A

Same key, ±2 BPM. With 49% groove and heavy bass, long blends work — cut the incoming bass until the switch.

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Push the energy

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