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Tracks/Beauty Of Decay
Beauty Of Decay album art

Techno (Peak Time / Driving) · 1991

Beauty Of Decay

UR

125

BPM

1A

A♭ Minor

Warm-up

Energy

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Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Beauty Of Decay by UR is a bass-heavy, groove-locked Techno (Peak Time / Driving) track at 125 BPM with moderate drive and strong groove. At 30% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 15 Apr 1991 · 3:45 · 45% mood · -14 dB loudness

The feel

Groovelocked in
Bass weightheavy
Drivemoderate
Warmthbalanced

The bass weight is the story here — 90% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

30% energy places it in the warm-up — setting the room up before the climb.

About UR.

Techno (Peak Time / Driving) producer and DJ.

125

Median BPM

7A

Top key

1990–1999

Active

29

Tracks

View UR’s profile

Quick answers.

What BPM is Beauty Of Decay?

125 BPM — squarely in techno (peak time / driving) territory, mixable within roughly 120–130 BPM without pitch artefacts.

What key is Beauty Of Decay in?

A♭ Minor — 1A on the Camelot wheel. Harmonically compatible with 1B, 12A and 2A.

What mixes well with Beauty Of Decay?

Tracks in 1A, 1B, 12A or 2A between ~120–130 BPM.

Where does Beauty Of Decay fit in a DJ set?

Warm-up and opener — 30% energy with strong groove sets the tone before the energy climbs.

Explore: 125 BPM tracks · 1A tracks · 1A → 1B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

617 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Mixing out of this track.

Now125 BPM · 1A→ three ways forward
Hold the groove

1A → 1A

Same key, ±2 BPM. With 87% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Go

Nick Curly · 126 BPM · 1A

90 chemistry

Push the energy

1A → 1B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

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Paul Ritch · 126 BPM · 1B

88 chemistry

Change direction

1A → 12A · 2A

Adjacent keys through a breakdown. This one runs 3:45 — the outro gives you a full phrase to work with.

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Robert Armani · 124 BPM · 2A

92 chemistry

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