Techno (Peak Time / Driving) · 1998
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 4,200 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
6A → 6A
Same key, ±2 BPM. With 72% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Tri Fn Trp
Planetary Assault Systems · 128 BPM · 6A
90 chemistry
6A → 6B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Vertigo
Roberto Capuano · 128 BPM · 6B
87 chemistry
6A → 5A · 7A
Adjacent keys through a breakdown. This one runs 6:02 — the outro gives you a full phrase to work with.
Mantis
Nick Muir · 126 BPM · 5A
88 chemistry
No Red Stopping by Two Lone Swordsmen is a bass-heavy Techno (Peak Time / Driving) track at 128 BPM with moderate drive and strong groove. At 39% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 19 Oct 1998 · 6:02 · 46% mood · -12 dB loudness
The feel
The bass weight is the story here — 99% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
39% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Two Lone Swordsmen are an electronic music project working in ambient and experimental electronica. Their work emphasizes textural synthesis and atmospheric sound design within the broader electronic music landscape.
130
Median BPM
1A
Top key
1996–2000
Active
17
Tracks
128 BPM — squarely in techno (peak time / driving) territory, mixable within roughly 123–133 BPM without pitch artefacts.
G Minor — 6A on the Camelot wheel. Harmonically compatible with 6B, 5A and 7A.
Tracks in 6A, 6B, 5A or 7A between ~123–133 BPM — top matches include Substance Abuse by Richie Hawtin (adjacent key) and Tri Fn Trp by Planetary Assault Systems (same key).
Groove sustainer — 39% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 128 BPM tracks · 6A tracks · 6A → 6B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Substance Abuse
Richie Hawtin
126 BPM · 7A · Techno (Peak Time / Driving)
Adjacent key · -2 BPM — seamless blend
Tri Fn Trp
Planetary Assault Systems
128 BPM · 6A · Techno (Raw / Deep / Hypnotic)
Same key · same BPM — seamless blend
Mantis
Nick Muir
126 BPM · 5A · Techno (Peak Time / Driving)
Adjacent key · -2 BPM — seamless blend
Vertigo
Roberto Capuano
128 BPM · 6B · Techno (Peak Time / Driving)
Relative key · same BPM — seamless blend
Love Siren
Alan Fitzpatrick
126 BPM · 6A · Techno (Peak Time / Driving)
Same key · -2 BPM — seamless blend