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Tracks/It's A Pity
It's A Pity album art

Caribbean · 2006

It's A Pity

Tanya Stephens

140

BPM

8A

A Minor

Sustainer

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

It's A Pity by Tanya Stephens is a bass-heavy Caribbean / Reggae track at 140 BPM with moderate drive and balanced groove. At 37% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 28 Aug 2006 · 4:14 · 49% mood · -12 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthwarm

The bass weight is the story here — 76% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

37% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Tanya Stephens.

Tanya Stephens is a reggae and dancehall artist from Jamaica known for her distinctive vocal style and socially conscious lyrics. Her work spans reggae, dancehall, and roots-influenced material, establishing her…

101

Median BPM

4B

Top key

1996–2022

Active

3

Tracks

View Tanya Stephens’s profile

Quick answers.

What BPM is It's A Pity?

140 BPM — squarely in caribbean territory, mixable within roughly 135–145 BPM without pitch artefacts.

What key is It's A Pity in?

A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.

What mixes well with It's A Pity?

Tracks in 8A, 8B, 7A or 9A between ~135–145 BPM.

Where does It's A Pity fit in a DJ set?

Groove sustainer — 37% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 140 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

378 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
87

Murderer

Barrington Levy

142 BPM · 7A · Caribbean

Adjacent key · +2 BPM — seamless blend

82

Gimme Some More

Busta Rhymes

137 BPM · 9A · Trap / Future Bass

Adjacent key · -3 BPM — seamless blend

89

Frenz

Spice

140 BPM · 7B · Caribbean

Key jump · same BPM — seamless blend

84

I Wanna Rock

Luke

138 BPM · 8A · Hip-Hop

Same key · -2 BPM — seamless blend

82

Sky

Playboi Carti

140 BPM · 7A · Trap / Future Bass

Adjacent key · same BPM — seamless blend

Mixing out of this track.

Now140 BPM · 8A→ three ways forward
Hold the groove

8A → 8A

Same key, ±2 BPM. With 56% groove and heavy bass, long blends work — cut the incoming bass until the switch.

I Wanna Rock

Luke · 138 BPM · 8A

84 chemistry

Push the energy

8A → 8B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Si Tu Amor No Vuelve

Eddy Herrera · 137 BPM · 8B

81 chemistry

Change direction

8A → 7A · 9A

Adjacent keys through a breakdown. This one runs 4:14 — the outro gives you a full phrase to work with.

Murderer

Barrington Levy · 142 BPM · 7A

87 chemistry

More around 140 BPM in compatible keys.

Hotline Bling

Drake · 135 BPM · 8A

COMË N GO

Yeat · 145 BPM · 8A

Young Folks

Peter Bjorn and John · 137 BPM · 8A

TOXIC

Skepta · 142 BPM · 8A

Laugh Now Cry Later

Drake · 135 BPM · 8A

Desgraça

Anitta · 144 BPM · 8A