Caribbean · 2006
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
It's A Pity by Tanya Stephens is a bass-heavy Caribbean / Reggae track at 140 BPM with moderate drive and balanced groove. At 37% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 28 Aug 2006 · 4:14 · 49% mood · -12 dB loudness
The feel
The bass weight is the story here — 76% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
37% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Tanya Stephens is a reggae and dancehall artist from Jamaica known for her distinctive vocal style and socially conscious lyrics. Her work spans reggae, dancehall, and roots-influenced material, establishing her…
101
Median BPM
4B
Top key
1996–2022
Active
3
Tracks
140 BPM — squarely in caribbean territory, mixable within roughly 135–145 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~135–145 BPM.
Groove sustainer — 37% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 140 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Murderer
Barrington Levy
142 BPM · 7A · Caribbean
Adjacent key · +2 BPM — seamless blend
Gimme Some More
Busta Rhymes
137 BPM · 9A · Trap / Future Bass
Adjacent key · -3 BPM — seamless blend
Frenz
Spice
140 BPM · 7B · Caribbean
Key jump · same BPM — seamless blend
I Wanna Rock
Luke
138 BPM · 8A · Hip-Hop
Same key · -2 BPM — seamless blend
Sky
Playboi Carti
140 BPM · 7A · Trap / Future Bass
Adjacent key · same BPM — seamless blend
8A → 8A
Same key, ±2 BPM. With 56% groove and heavy bass, long blends work — cut the incoming bass until the switch.
I Wanna Rock
Luke · 138 BPM · 8A
84 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Si Tu Amor No Vuelve
Eddy Herrera · 137 BPM · 8B
81 chemistry
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 4:14 — the outro gives you a full phrase to work with.
Murderer
Barrington Levy · 142 BPM · 7A
87 chemistry