Hip-Hop · 2000
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
I Wanna Rock by Luke is a bass-heavy Hip-Hop track at 138 BPM with moderate drive and balanced groove. At 38% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 3 Oct 2000 · 4:44 · 44% mood · -14 dB loudness
The feel
The bass weight is the story here — 84% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
38% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Minimal / Deep Tech producer and DJ.
125
Median BPM
1A
Top key
1989–2018
Active
18
Tracks
138 BPM — squarely in hip-hop territory, mixable within roughly 133–143 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~133–143 BPM.
Groove sustainer — 38% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 138 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Tootsee Roll
The 69 Boyz
133 BPM · 7B · Hip-Hop
Key jump · -5 BPM — seamless blend
WHATS POPPIN
Jack Harlow
145 BPM · 9A · Hip-Hop
Adjacent key · +7 BPM — seamless blend
Skrilla
Kodak Black
145 BPM · 7A · Hip-Hop
Adjacent key · +7 BPM — seamless blend
Perfect Gentleman
Wyclef Jean
136 BPM · 8B · Hip-Hop
Relative key · -2 BPM — seamless blend
Gimme Some More
Busta Rhymes
137 BPM · 9A · Trap / Future Bass
Adjacent key · -1 BPM — seamless blend
8A → 8A
Same key, ±2 BPM. With 47% groove and heavy bass, long blends work — cut the incoming bass until the switch.
It's A Pity
Tanya Stephens · 140 BPM · 8A
84 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Perfect Gentleman
Wyclef Jean · 136 BPM · 8B
86 chemistry
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 4:44 — the outro gives you a full phrase to work with.
WHATS POPPIN
Jack Harlow · 145 BPM · 9A
87 chemistry