Electronica · 2019
T-PuseDor Reuveni
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Purpose by T-Puse, Dor Reuveni is a bass-heavy, groove-locked Electronica track at 105 BPM with moderate drive and strong groove. At 50% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 21 Mar 2019 · 6:17 · 29% mood · -12 dB loudness
The feel
The bass weight is the story here — 91% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
50% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
105 BPM — squarely in electronica territory, mixable within roughly 100–110 BPM without pitch artefacts.
C Minor — 5A on the Camelot wheel. Harmonically compatible with 5B, 4A and 6A.
Tracks in 5A, 5B, 4A or 6A between ~100–110 BPM.
Groove sustainer — 50% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 105 BPM tracks · 5A tracks · 5A → 5B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
All I Ever Get
IV-IN
107 BPM · 5A · Electronica
Same key · +2 BPM — seamless blend
Camomille
Kermesse
104 BPM · 4A · Electronica
Adjacent key · -1 BPM — seamless blend
Forest of Souls
Feinheitsbrei
105 BPM · 6A · Electronica
Adjacent key · same BPM — seamless blend
Le Fleur
Kermesse
104 BPM · 6A · Electronica
Adjacent key · -1 BPM — seamless blend
La Paz - Xique-Xique Remix
Zazou
103 BPM · 4A · Electronica
Adjacent key · -2 BPM — seamless blend
5A → 5A
Same key, ±2 BPM. With 75% groove and heavy bass, long blends work — cut the incoming bass until the switch.
All I Ever Get
IV-IN · 107 BPM · 5A
91 chemistry
5A → 5B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
5A → 4A · 6A
Adjacent keys through a breakdown. This one runs 6:17 — the outro gives you a full phrase to work with.
Camomille
Kermesse · 104 BPM · 4A
88 chemistry