Mainstage · 2022
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Osaka Psycho by SWAGE is a bass-heavy, groove-locked Mainstage / Speed House track at 150 BPM with moderate drive and strong groove. At 60% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 20 Dec 2022 · 3:44 · 40% mood · -8 dB loudness
The feel
The groove is the story here — 82% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
60% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Mainstage producer and DJ.
150
Median BPM
12A
Top key
4
Tracks
150 BPM — squarely in mainstage territory, mixable within roughly 145–155 BPM without pitch artefacts.
C♯ Minor — 12A on the Camelot wheel. Harmonically compatible with 12B, 11A and 1A.
Tracks in 12A, 12B, 11A or 1A between ~145–155 BPM.
Mid-set energy builder — 60% energy with strong groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 150 BPM tracks · 12A tracks · 12A → 12B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Infohazard
Ninajirachi
148 BPM · 11B · Mainstage
Key jump · -2 BPM — seamless blend
BAD4ME
pluko
148 BPM · 12A · Mainstage
Same key · -2 BPM — seamless blend
Shock - Extended Mix
Funk Tribu
150 BPM · 11B · Mainstage
Key jump · same BPM — seamless blend
Down Low - Extended Mix
Fahjah
150 BPM · 1A · Mainstage
Adjacent key · same BPM — seamless blend
Ignite
MYLK
150 BPM · 1A · Mainstage
Adjacent key · same BPM — seamless blend
12A → 12A
Same key, ±2 BPM. With 82% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Can't Get Over
Berth G · 149 BPM · 12A
90 chemistry
12A → 12B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Jump Around
DJ Louis · 152 BPM · 12B
84 chemistry
12A → 11A · 1A
Adjacent keys through a breakdown. This one runs 3:44 — the outro gives you a full phrase to work with.
Boom Boom - Extended Mix
Jake Taylor · 150 BPM · 11A
91 chemistry