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Tracks/Perfect Motion - Boys Own Mix by Farley & Heller
Perfect Motion - Boys Own Mix by Farley & Heller album art

House · 2007

Perfect Motion - Boys Own Mix by Farley & Heller

Sunscreem

125

BPM

8A

A Minor

Warm-up

Energy

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About this track.

Perfect Motion - Boys Own Mix by Farley & Heller by Sunscreem is a bass-heavy, groove-locked House track at 125 BPM with low drive and strong groove. At 17% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 8 May 2007 · 9:51 · 48% mood · -19 dB loudness

The feel

Groovelocked in
Bass weightheavy
Driverestrained
Warmthwarm

The bass weight is the story here — 83% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

17% energy places it in the warm-up — setting the room up before the climb.

About Sunscreem.

Sunscreem is a trance producer working within electronic dance music. The project focuses on main floor trance production and sound design.

129

Median BPM

7A

Top key

1992–2019

Active

6

Tracks

View Sunscreem’s profile

Quick answers.

What BPM is Perfect Motion - Boys Own Mix by Farley & Heller?

125 BPM — squarely in house territory, mixable within roughly 120–130 BPM without pitch artefacts.

What key is Perfect Motion - Boys Own Mix by Farley & Heller in?

A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.

What mixes well with Perfect Motion - Boys Own Mix by Farley & Heller?

Tracks in 8A, 8B, 7A or 9A between ~120–130 BPM.

Where does Perfect Motion - Boys Own Mix by Farley & Heller fit in a DJ set?

Warm-up and opener — 17% energy with strong groove sets the tone before the energy climbs.

Explore: 125 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide · House mixing guide

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Mixing out of this track.

Now125 BPM · 8A→ three ways forward
Hold the groove

8A → 8A

Same key, ±2 BPM. With 76% groove and heavy bass, long blends work — cut the incoming bass until the switch.

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Adjacent keys through a breakdown. This one runs 9:51 — the outro gives you a full phrase to work with.

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