Dubstep · 2022
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Let Me Go by Sullivan King, Wooli is a bass-forward Dubstep track at 75 BPM with moderate drive and subtle groove. At 68% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 21 Nov 2022 · 3:42 · 47% mood · -8 dB loudness
The feel
The bass weight is the story here — 72% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
68% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Sullivan King is a dubstep producer and DJ known for heavy, bass-driven electronic music. He has built a presence in the dubstep community through releases and live performances.
150
Median BPM
2A
Top key
2017–2026
Active
30
Tracks
75 BPM — squarely in dubstep territory, mixable within roughly 70–80 BPM without pitch artefacts.
C Minor — 5A on the Camelot wheel. Harmonically compatible with 5B, 4A and 6A.
Tracks in 5A, 5B, 4A or 6A between ~70–80 BPM.
Mid-set energy builder — 68% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 75 BPM tracks · 5A tracks · 5A → 5B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Paralyzed
Virtual Riot
74 BPM · 4A · Dubstep
Adjacent key · -1 BPM — seamless blend
Moonlight
Kill The Noise
75 BPM · 5A · Dubstep
Same key · same BPM — seamless blend
FALL INTO YOU
ALLEYCVT
77 BPM · 6A · Dubstep
Adjacent key · +2 BPM — seamless blend
Elevate
Far Out
72 BPM · 4B · Dubstep
Key jump · -3 BPM — seamless blend
One Night
N3WPORT
77 BPM · 4A · Dubstep
Adjacent key · +2 BPM — seamless blend
5A → 5A
Same key, ±2 BPM. With 12% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Moonlight
Kill The Noise · 75 BPM · 5A
89 chemistry
5A → 5B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
In Your Head
G Jones · 74 BPM · 5B
84 chemistry
5A → 4A · 6A
Adjacent keys through a breakdown. This one runs 3:42 — the outro gives you a full phrase to work with.
Lucid
SISTO (US) · 73 BPM · 4A
89 chemistry