
Breaks / Breakbeat / UK Bass · 2019
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 4,200 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
8A → 8A
Same key, ±2 BPM. With 28% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Maximum - Extended
Swimming Paul · 130 BPM · 8A
90 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 6:01 — the outro gives you a full phrase to work with.
Again - Redlight Remix
Clipz · 130 BPM · 7A
91 chemistry
Don't You Leave Me by S.P.Y is a bass-heavy Breaks / Breakbeat / UK Bass track at 130 BPM with moderate drive and subtle groove. At 49% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 29 Mar 2019 · 6:01 · 45% mood · -11 dB loudness
The feel
The bass weight is the story here — 82% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
49% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
S.P.Y is a drum and bass producer and DJ known for work within the liquid funk and neurofunk subgenres. His productions blend technical precision with soulful atmospherics, establishing him as a fixture in the…
87
Median BPM
4A
Top key
2009–2026
Active
98
Tracks
130 BPM — squarely in breaks / breakbeat / uk bass territory, mixable within roughly 125–135 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~125–135 BPM — top matches include Maximum - Extended by Swimming Paul (same key) and Again - Redlight Remix by Clipz (adjacent key).
Groove sustainer — 49% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 130 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Maximum - Extended
Swimming Paul
130 BPM · 8A · Breaks / Breakbeat / UK Bass
Same key · same BPM — seamless blend
Again - Redlight Remix
Clipz
130 BPM · 7A · Breaks / Breakbeat / UK Bass
Adjacent key · same BPM — seamless blend
Breathing Me In
Koven
128 BPM · 7A · Breaks / Breakbeat / UK Bass
Adjacent key · -2 BPM — seamless blend
We Control
Hyper
133 BPM · 7A · Breaks / Breakbeat / UK Bass
Adjacent key · +3 BPM — seamless blend

I Wanna Get - DJ Hero Remix
John Bradley
130 BPM · 7A · Breaks / Breakbeat / UK Bass
Adjacent key · same BPM — seamless blend