Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Taking Back feat. Nick McWilliams by Spag Heddy, Nick McWilliams is a bass-heavy Dubstep track at 150 BPM with moderate drive and balanced groove. At 66% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 24 Jul 2020 · 4:43 · 44% mood · -8 dB loudness
The feel
The bass weight is the story here — 78% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
66% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Spag Heddy is a dubstep producer known for heavy, bass-driven sound design and intricate production techniques. His work spans the darker and more experimental territories of the genre, with releases that emphasize…
145
Median BPM
4A
Top key
2013–2024
Active
78
Tracks
150 BPM — squarely in dubstep territory, mixable within roughly 145–155 BPM without pitch artefacts.
E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.
Tracks in 2A, 2B, 1A or 3A between ~145–155 BPM.
Mid-set energy builder — 66% energy with a steady groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 150 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Astro Funk
GRiZ
150 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
The Dead March
Ray Volpe
150 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
Razor Blades
Tisoki
150 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
Let It Spin
BARELY ALIVE
150 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
Scream Saver
Subtronics
150 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
2A → 2A
Same key, ±2 BPM. With 58% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Astro Funk
GRiZ · 150 BPM · 2A
93 chemistry
2A → 2B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
2A → 1A · 3A
Adjacent keys through a breakdown. This one runs 4:43 — the outro gives you a full phrase to work with.
Loopholes
Subtronics · 150 BPM · 3A
90 chemistry