Electronica · 2001
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Lovely by Soulstice is a bass-heavy Electronica track at 120 BPM with moderate drive and balanced groove. At 41% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 24 Apr 2001 · 5:29 · 44% mood · -11 dB loudness
The feel
The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
41% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Electronica producer and DJ.
105
Median BPM
3A
Top key
1998–2001
Active
10
Tracks
120 BPM — squarely in electronica territory, mixable within roughly 115–125 BPM without pitch artefacts.
C Minor — 5A on the Camelot wheel. Harmonically compatible with 5B, 4A and 6A.
Tracks in 5A, 5B, 4A or 6A between ~115–125 BPM.
Groove sustainer — 41% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 120 BPM tracks · 5A tracks · 5A → 5B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
S.H.A.K.E
Mind Enterprises
120 BPM · 5A · Electronica
Same key · same BPM — seamless blend
Over And Over
Hot Chip
120 BPM · 5A · Electronica
Same key · same BPM — seamless blend
You
Jacob Groening
118 BPM · 4A · Electronica
Adjacent key · -2 BPM — seamless blend
Tutto va bene quando facciamo l'amore
Alex Rossi
120 BPM · 5A · Electronica
Same key · same BPM — seamless blend
Pacific Coast Highway
Kavinsky
120 BPM · 5A · Electronica
Same key · same BPM — seamless blend
5A → 5A
Same key, ±2 BPM. With 65% groove and heavy bass, long blends work — cut the incoming bass until the switch.
S.H.A.K.E
Mind Enterprises · 120 BPM · 5A
93 chemistry
5A → 5B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
What To Do
Guy Gerber · 122 BPM · 5B
86 chemistry
5A → 4A · 6A
Adjacent keys through a breakdown. This one runs 5:29 — the outro gives you a full phrase to work with.
You
Jacob Groening · 118 BPM · 4A
90 chemistry