Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Zenith by Snavs is a bass-forward Dubstep track at 150 BPM with moderate drive and subtle groove. At 67% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 5 Jun 2020 · 2:52 · 50% mood · -10 dB loudness
The feel
The bass weight is the story here — 72% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
67% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Snavs is a trap and future bass producer known for atmospheric, melodic soundscapes that blend electronic production with darker instrumental elements.
129
Median BPM
11A
Top key
2015–2023
Active
22
Tracks
150 BPM — squarely in dubstep territory, mixable within roughly 145–155 BPM without pitch artefacts.
E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.
Tracks in 2A, 2B, 1A or 3A between ~145–155 BPM.
Mid-set energy builder — 67% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 150 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Check
Jessica Audiffred
150 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
Battlefields
Zomboy
150 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
Last Man Standing
Kozmoz
150 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
Race Against Time
Ray Volpe
150 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
Athena
IVORY
151 BPM · 2A · Dubstep
Same key · +1 BPM — seamless blend
2A → 2A
Same key, ±2 BPM. With 33% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Check
Jessica Audiffred · 150 BPM · 2A
92 chemistry
2A → 2B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
2A → 1A · 3A
Adjacent keys through a breakdown. This one runs 2:52 — the outro gives you a full phrase to work with.
I'm Alive (feat. Averi Burk)
Oliverse · 150 BPM · 1A
89 chemistry