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The Phantom (1988) album art

Electronica · 2009

The Phantom (1988)

Renegade Soundwave

122

BPM

7A

D Minor

Warm-up

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

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Checking key, tempo, energy, groove, mood and vocals.

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

The Phantom (1988) by Renegade Soundwave is a bass-heavy Electronica track at 122 BPM with moderate drive and balanced groove. At 33% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 6 Jul 2009 · 4:43 · 37% mood · -14 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 82% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

33% energy places it in the warm-up — setting the room up before the climb.

Quick answers.

What BPM is The Phantom (1988)?

122 BPM — squarely in electronica territory, mixable within roughly 117–127 BPM without pitch artefacts.

What key is The Phantom (1988) in?

D Minor — 7A on the Camelot wheel. Harmonically compatible with 7B, 6A and 8A.

What mixes well with The Phantom (1988)?

Tracks in 7A, 7B, 6A or 8A between ~117–127 BPM.

Where does The Phantom (1988) fit in a DJ set?

Warm-up and opener — 33% energy with a steady groove sets the tone before the energy climbs.

Explore: 122 BPM tracks · 7A tracks · 7A → 7B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

642 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
86

When I Hear Music

Debbie Deb

125 BPM · 7B · Electronica

Relative key · +3 BPM — seamless blend

91

Got To Have Loving

Cerrone

124 BPM · 7A · Electronica

Same key · +2 BPM — seamless blend

83

Don't Stop The Rock

Freestyle

120 BPM · 7B · Electronica

Relative key · -2 BPM — seamless blend

89

Red Lights

Carl Craig

121 BPM · 8A · Electronica

Adjacent key · -1 BPM — seamless blend

86

Speechless - Kruder & Dorfmeister Remix

Count Basic

124 BPM · 7A · Electronica

Same key · +2 BPM — seamless blend

Mixing out of this track.

Now122 BPM · 7A→ three ways forward
Hold the groove

7A → 7A

Same key, ±2 BPM. With 48% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Got To Have Loving

Cerrone · 124 BPM · 7A

91 chemistry

Push the energy

7A → 7B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

When I Hear Music

Debbie Deb · 125 BPM · 7B

86 chemistry

Change direction

7A → 6A · 8A

Adjacent keys through a breakdown. This one runs 4:43 — the outro gives you a full phrase to work with.

Red Lights

Carl Craig · 121 BPM · 8A

89 chemistry

More around 122 BPM in compatible keys.

What Did I Miss?

Drake · 125 BPM · 7A

TiK ToK

Kesha · 120 BPM · 7A

CAFé CON RON

Bad Bunny · 126 BPM · 7A

Smooth Operator - Single Version

Sade · 119 BPM · 7A

Love

Keyshia Cole · 117 BPM · 7A

Gimme! Gimme! Gimme! (A Man After Midnight)

ABBA · 120 BPM · 7A