Electronica · 2009
Renegade Soundwave
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
The Phantom (1988) by Renegade Soundwave is a bass-heavy Electronica track at 122 BPM with moderate drive and balanced groove. At 33% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 6 Jul 2009 · 4:43 · 37% mood · -14 dB loudness
The feel
The bass weight is the story here — 82% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
33% energy places it in the warm-up — setting the room up before the climb.
122 BPM — squarely in electronica territory, mixable within roughly 117–127 BPM without pitch artefacts.
D Minor — 7A on the Camelot wheel. Harmonically compatible with 7B, 6A and 8A.
Tracks in 7A, 7B, 6A or 8A between ~117–127 BPM.
Warm-up and opener — 33% energy with a steady groove sets the tone before the energy climbs.
Explore: 122 BPM tracks · 7A tracks · 7A → 7B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
When I Hear Music
Debbie Deb
125 BPM · 7B · Electronica
Relative key · +3 BPM — seamless blend
Got To Have Loving
Cerrone
124 BPM · 7A · Electronica
Same key · +2 BPM — seamless blend
Don't Stop The Rock
Freestyle
120 BPM · 7B · Electronica
Relative key · -2 BPM — seamless blend
Red Lights
Carl Craig
121 BPM · 8A · Electronica
Adjacent key · -1 BPM — seamless blend
Speechless - Kruder & Dorfmeister Remix
Count Basic
124 BPM · 7A · Electronica
Same key · +2 BPM — seamless blend
7A → 7A
Same key, ±2 BPM. With 48% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Got To Have Loving
Cerrone · 124 BPM · 7A
91 chemistry
7A → 7B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
When I Hear Music
Debbie Deb · 125 BPM · 7B
86 chemistry
7A → 6A · 8A
Adjacent keys through a breakdown. This one runs 4:43 — the outro gives you a full phrase to work with.
Red Lights
Carl Craig · 121 BPM · 8A
89 chemistry