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GAME OVER album art

Dubstep · 2024

GAME OVER

Ray Volpe

75

BPM

2A

E♭ Minor

Builder

Energy

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Checking key, tempo, energy, groove, mood and vocals.

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

GAME OVER by Ray Volpe is a bass-heavy Dubstep track at 75 BPM with moderate drive and subtle groove. At 69% energy, it works as an energy builder — pushing the floor forward without peaking.

Released 27 Sep 2024 · 3:18 · 35% mood · -7 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 89% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

69% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Ray Volpe.

Ray Volpe is a dubstep producer and DJ known for his work within the bass music community. His productions span the dubstep spectrum, engaging with both the technical and atmospheric dimensions of the genre.

147

Median BPM

2A

Top key

2014–2026

Active

68

Tracks

View Ray Volpe’s profile

Quick answers.

What BPM is GAME OVER?

75 BPM — squarely in dubstep territory, mixable within roughly 70–80 BPM without pitch artefacts.

What key is GAME OVER in?

E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.

What mixes well with GAME OVER?

Tracks in 2A, 2B, 1A or 3A between ~70–80 BPM.

Where does GAME OVER fit in a DJ set?

Mid-set energy builder — 69% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.

Explore: 75 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

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Mixes well with this track

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Mixing out of this track.

Now75 BPM · 2A→ three ways forward
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Same key, ±2 BPM. With 27% groove and heavy bass, long blends work — cut the incoming bass until the switch.

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Change direction

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