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Tracks/Ghostbusters
Ghostbusters album art

Trap / Future Bass · 1993

Ghostbusters

Ray Parker Jr.

115

BPM

11B

A Major

Warm-up

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Ghostbusters by Ray Parker Jr. is a bass-heavy Trap / Future Bass track at 115 BPM with moderate drive and strong groove. At 24% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 12 Oct 1993 · 3:59 · 49% mood · -16 dB loudness

The feel

Groovestrong
Bass weightheavy
Drivemoderate
Warmthwarm

The bass weight is the story here — 77% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

24% energy places it in the warm-up — setting the room up before the climb.

Quick answers.

What BPM is Ghostbusters?

115 BPM — squarely in trap / future bass territory, mixable within roughly 110–120 BPM without pitch artefacts.

What key is Ghostbusters in?

A Major — 11B on the Camelot wheel. Harmonically compatible with 11A, 10B and 12B.

What mixes well with Ghostbusters?

Tracks in 11B, 11A, 10B or 12B between ~110–120 BPM.

Where does Ghostbusters fit in a DJ set?

Warm-up and opener — 24% energy with strong groove sets the tone before the energy climbs.

Explore: 115 BPM tracks · 11B tracks · 11B → 11A key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

196 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Rick James

120 BPM · 12B · Trap / Future Bass

Adjacent key · +5 BPM — seamless blend

85

Get Down On It

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111 BPM · 10B · Trap / Future Bass

Adjacent key · -4 BPM — seamless blend

85

A Lover's Holiday - A Jim Burgess Mix

Change

116 BPM · 11B · Trap / Future Bass

Same key · +1 BPM — seamless blend

86

Still in the Groove

Ray Parker Jr.

119 BPM · 10B · Trap / Future Bass

Adjacent key · +4 BPM — seamless blend

84

Love's Comin' At Ya - 2004 Digital Remaster

Melba Moore

114 BPM · 12A · R&B

Key jump · -1 BPM — seamless blend

Mixing out of this track.

Now115 BPM · 11B→ three ways forward
Hold the groove

11B → 11B

Same key, ±2 BPM. With 74% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Time Loop

Ne-Yo · 113 BPM · 11B

87 chemistry

Push the energy

11B → 11A

Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Witchoo

Durand Jones & The Indications · 118 BPM · 11A

83 chemistry

Change direction

11B → 10B · 12B

Adjacent keys through a breakdown. This one runs 3:59 — the outro gives you a full phrase to work with.

Give It To Me Baby

Rick James · 120 BPM · 12B

88 chemistry

More around 115 BPM in compatible keys.

Messy

Lola Young · 111 BPM · 11B

Tarot

Bad Bunny · 114 BPM · 11B

Stand By Me

Ben E. King · 119 BPM · 11B

un x100to

Bad Bunny · 110 BPM · 11B

Don't You (Forget About Me)

Simple Minds · 111 BPM · 11B

You Proof

Morgan Wallen · 120 BPM · 11B