Trap / Future Bass · 2018
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Get Down On It by Kool & The Gang is a bass-heavy, groove-locked Trap / Future Bass track at 111 BPM with low drive and strong groove. At 19% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 10 Aug 2018 · 4:50 · 44% mood · -16 dB loudness
The feel
The groove is the story here — 80% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
19% energy places it in the warm-up — setting the room up before the climb.
Kool & the Gang is an American funk and R&B band known for their energetic horn arrangements and dance-oriented sound. The group became prominent fixtures of the funk and soul scenes, blending instrumental prowess with…
111
Median BPM
10A
Top key
1969–1995
Active
17
Tracks
111 BPM — squarely in trap / future bass territory, mixable within roughly 106–116 BPM without pitch artefacts.
D Major — 10B on the Camelot wheel. Harmonically compatible with 10A, 9B and 11B.
Tracks in 10B, 10A, 9B or 11B between ~106–116 BPM.
Warm-up and opener — 19% energy with strong groove sets the tone before the energy climbs.
Explore: 111 BPM tracks · 10B tracks · 10B → 10A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Watching You
Slave
112 BPM · 9B · R&B
Adjacent key · +1 BPM — seamless blend
Good Times
Chic
110 BPM · 10B · R&B
Same key · -1 BPM — seamless blend
Ghostbusters
Ray Parker Jr.
115 BPM · 11B · Trap / Future Bass
Adjacent key · +4 BPM — seamless blend
Get Down On It - Single Version
Kool & The Gang
111 BPM · 10B · R&B
Same key · same BPM — seamless blend
Never Too Much
Luther Vandross
109 BPM · 10B · R&B
Same key · -2 BPM — seamless blend
10B → 10B
Same key, ±2 BPM. With 80% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Still in the Groove
Ray Parker Jr. · 119 BPM · 10B
87 chemistry
10B → 10A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
I Want To Thank You
Alicia Myers · 110 BPM · 10A
81 chemistry
10B → 9B · 11B
Adjacent keys through a breakdown. This one runs 4:50 — the outro gives you a full phrase to work with.
Ghostbusters
Ray Parker Jr. · 115 BPM · 11B
85 chemistry