Mixgraph
Flow BuilderLive Mode
LearnPricing
Tracks/Get Down On It
Get Down On It album art

Trap / Future Bass · 2018

Get Down On It

Kool & The Gang

111

BPM

10B

D Major

Warm-up

Energy

Score with another track
Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

Open Flow BuilderTry Live Mode

About this track.

Get Down On It by Kool & The Gang is a bass-heavy, groove-locked Trap / Future Bass track at 111 BPM with low drive and strong groove. At 19% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 10 Aug 2018 · 4:50 · 44% mood · -16 dB loudness

The feel

Groovelocked in
Bass weightheavy
Driverestrained
Warmthwarm

The groove is the story here — 80% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

19% energy places it in the warm-up — setting the room up before the climb.

About Kool & The Gang.

Kool & the Gang is an American funk and R&B band known for their energetic horn arrangements and dance-oriented sound. The group became prominent fixtures of the funk and soul scenes, blending instrumental prowess with…

111

Median BPM

10A

Top key

1969–1995

Active

17

Tracks

View Kool & The Gang’s profile

Quick answers.

What BPM is Get Down On It?

111 BPM — squarely in trap / future bass territory, mixable within roughly 106–116 BPM without pitch artefacts.

What key is Get Down On It in?

D Major — 10B on the Camelot wheel. Harmonically compatible with 10A, 9B and 11B.

What mixes well with Get Down On It?

Tracks in 10B, 10A, 9B or 11B between ~106–116 BPM.

Where does Get Down On It fit in a DJ set?

Warm-up and opener — 19% energy with strong groove sets the tone before the energy climbs.

Explore: 111 BPM tracks · 10B tracks · 10B → 10A key pair · Harmonic mixing guide

Mixgraph for iPhone and Android — preview and plan sets on the go.

Mixgraph

Built for every DJ, from bedroom to booth

Product

  • Flow Builder
  • Live Mode
  • Discovery Weekly
  • AI Set Builder
  • Track Library
  • Artists
  • Browse by BPM
  • Browse by Key
  • Pricing

Learn

  • All Guides
  • Camelot Wheel Guide
  • Energy Flow Guide
  • Vocal Mixing Guide
  • BPM Guide
  • Major vs Minor Keys
  • Mixing Guide
  • Genre Transition Guide
  • Key Transition Guides
  • BPM by Genre

Tools

  • All Tools
  • Score My Transition
  • Camelot Wheel
  • BPM Compatibility
  • Energy Arc Planner

Company

  • About
  • How It Works
  • Contact
  • Privacy
  • Terms

Get the app

Download on the App StoreGet it on Google Play

Built for DJs, by DJs

© 2026 Mixgraph · NC Digital Limited (16413452)

Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

112 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
84

Watching You

Slave

112 BPM · 9B · R&B

Adjacent key · +1 BPM — seamless blend

86

Good Times

Chic

110 BPM · 10B · R&B

Same key · -1 BPM — seamless blend

85

Ghostbusters

Ray Parker Jr.

115 BPM · 11B · Trap / Future Bass

Adjacent key · +4 BPM — seamless blend

81

Get Down On It - Single Version

Kool & The Gang

111 BPM · 10B · R&B

Same key · same BPM — seamless blend

80

Never Too Much

Luther Vandross

109 BPM · 10B · R&B

Same key · -2 BPM — seamless blend

Mixing out of this track.

Now111 BPM · 10B→ three ways forward
Hold the groove

10B → 10B

Same key, ±2 BPM. With 80% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Still in the Groove

Ray Parker Jr. · 119 BPM · 10B

87 chemistry

Push the energy

10B → 10A

Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

I Want To Thank You

Alicia Myers · 110 BPM · 10A

81 chemistry

Change direction

10B → 9B · 11B

Adjacent keys through a breakdown. This one runs 4:50 — the outro gives you a full phrase to work with.

Ghostbusters

Ray Parker Jr. · 115 BPM · 11B

85 chemistry

More around 111 BPM in compatible keys.

Ordinary

Alex Warren · 112 BPM · 10B

You Get What You Give

New Radicals · 114 BPM · 10B

Should I Stay or Should I Go - Remastered

The Clash · 113 BPM · 10B

Under Pressure - 2011 Remaster

Queen · 114 BPM · 10B

Just A Girl

No Doubt · 108 BPM · 10B

Firestone

Kygo · 114 BPM · 10B