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Days to Months album art

Drum & Bass · 2026

Days to Months

Obeisant

87

BPM

12A

C♯ Minor

Peak time

Energy

Score with another track
Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Days to Months by Obeisant is a bass-heavy Drum & Bass track at 87 BPM with high drive and subtle groove. At 100% energy, it delivers peak-time intensity.

Released 3 Jul 2026 · 7:32 · 44% mood · -10 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivehigh
Warmthcool-toned

The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

100% energy places it in the peak — the top of the night — full commitment, the room is already yours.

About Obeisant.

Obeisant is a drum and bass producer working within the genre's technical and atmospheric traditions. Their work explores the darker, more intricate end of the sound.

86

Median BPM

10A

Top key

2016

Active

5

Tracks

View Obeisant’s profile

Quick answers.

What BPM is Days to Months?

87 BPM — squarely in drum & bass territory, mixable within roughly 82–92 BPM without pitch artefacts.

What key is Days to Months in?

C♯ Minor — 12A on the Camelot wheel. Harmonically compatible with 12B, 11A and 1A.

What mixes well with Days to Months?

Tracks in 12A, 12B, 11A or 1A between ~82–92 BPM.

Where does Days to Months fit in a DJ set?

Peak-time weapon — 100% energy hits hard and holds the floor. Drop it when the room is already yours.

Explore: 87 BPM tracks · 12A tracks · 12A → 12B key pair · Harmonic mixing guide · Drum and Bass mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

310 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Key jump · same BPM — seamless blend

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4Lyfe

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Adjacent key · same BPM — seamless blend

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Bad Omen - State Of Mind Remix

Neonlight

87 BPM · 11A · Drum & Bass

Adjacent key · same BPM — seamless blend

Mixing out of this track.

Now87 BPM · 12A→ three ways forward
Hold the groove

12A → 12A

Same key, ±2 BPM. With 36% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Lulerain

Etherwood · 86 BPM · 12A

91 chemistry

Push the energy

12A → 12B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Field of Vibrations

Konichi · 87 BPM · 12B

89 chemistry

Change direction

12A → 11A · 1A

Adjacent keys through a breakdown. This one runs 7:32 — the outro gives you a full phrase to work with.

Bad Omen - State Of Mind Remix

Neonlight · 87 BPM · 11A

91 chemistry

More around 87 BPM in compatible keys.

In Da Club

50 Cent · 90 BPM · 12A

Me Porto Bonito

Bad Bunny · 92 BPM · 12A

Desesperados

Rauw Alejandro · 90 BPM · 12A

+57

Maluma · 92 BPM · 12A

Dirt On My Boots

Jon Pardi · 90 BPM · 12A

Take Me (To The Moon)

Ian Asher · 87 BPM · 12A