Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Taking Me Higher by ARTY, Mryn, ÆON:MODE is a bass-forward Drum & Bass track at 87 BPM with moderate drive and subtle groove. At 100% energy, it delivers peak-time intensity.
Released 19 Dec 2025 · 3:46 · 53% mood · -9 dB loudness
The feel
The bass weight is the story here — 73% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
100% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Dance producer and DJ.
128
Median BPM
4B
Top key
2009–2025
Active
62
Tracks
87 BPM — squarely in drum & bass territory, mixable within roughly 82–92 BPM without pitch artefacts.
A♭ Minor — 1A on the Camelot wheel. Harmonically compatible with 1B, 12A and 2A.
Tracks in 1A, 1B, 12A or 2A between ~82–92 BPM.
Peak-time weapon — 100% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 87 BPM tracks · 1A tracks · 1A → 1B key pair · Harmonic mixing guide · Drum and Bass mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Don't Walk Away
Flowidus
87 BPM · 1A · Drum & Bass
Same key · same BPM — seamless blend
Mercy feat. Courtney Odom
Dilemma
87 BPM · 1A · Drum & Bass
Same key · same BPM — seamless blend
Cry - Extended Mix
Ferry Corsten
87 BPM · 2A · Drum & Bass
Adjacent key · same BPM — seamless blend

JAM
Danny Byrd
87 BPM · 1A · Drum & Bass
Same key · same BPM — seamless blend
AVGR
Current Value
89 BPM · 1A · Drum & Bass
Same key · +2 BPM — seamless blend
1A → 1A
Same key, ±2 BPM. With 37% groove and heavy bass, long blends work — cut the incoming bass until the switch.
JAM
Danny Byrd · 87 BPM · 1A
92 chemistry
1A → 1B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
1A → 12A · 2A
Adjacent keys through a breakdown. This one runs 3:46 — the outro gives you a full phrase to work with.
Different
Document One · 87 BPM · 2A
89 chemistry