Trap / Future Bass · 2024
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
LOOKIN FOR U by Nikko, WINK (US) is a bass-heavy Trap / Future Bass track at 119 BPM with moderate drive and subtle groove. At 59% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 13 Sep 2024 · 3:28 · 54% mood · -6 dB loudness
The feel
The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
59% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Bass House producer and DJ.
131
Median BPM
2A
Top key
2024–2025
Active
18
Tracks
119 BPM — squarely in trap / future bass territory, mixable within roughly 114–124 BPM without pitch artefacts.
D♭ Major — 3B on the Camelot wheel. Harmonically compatible with 3A, 2B and 4B.
Tracks in 3B, 3A, 2B or 4B between ~114–124 BPM.
Mid-set energy builder — 59% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 119 BPM tracks · 3B tracks · 3B → 3A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Tia Tamera
Doja Cat
120 BPM · 3A · Trap / Future Bass
Relative key · +1 BPM — seamless blend
comecloser
Eliminate
126 BPM · 4A · Trap / Future Bass
Key jump · +7 BPM — seamless blend
Bout Shit
The Lox
117 BPM · 4A · Trap / Future Bass
Key jump · -2 BPM — seamless blend
Never Lose Me
Bryson Tiller
122 BPM · 3B · Hip-Hop
Same key · +3 BPM — seamless blend
After Hours
Kehlani
121 BPM · 3B · R&B
Same key · +2 BPM — seamless blend
3B → 3B
Same key, ±2 BPM. With 13% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Bark
Stooki Sound · 120 BPM · 3B
85 chemistry
3B → 3A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Tia Tamera
Doja Cat · 120 BPM · 3A
82 chemistry
3B → 2B · 4B
Adjacent keys through a breakdown. This one runs 3:28 — the outro gives you a full phrase to work with.
Mile High
James Blake · 115 BPM · 2B
79 chemistry