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Tracks/I Could Be the One (Dank (USA) Remix)
I Could Be the One (Dank (USA) Remix) album art

Dubstep · 2013

I Could Be the One (Dank (USA) Remix)

Nicky Romero, Avicii

145

BPM

11A

F♯ Minor

Builder

Energy

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About this track.

I Could Be the One (Dank (USA) Remix) by Nicky Romero, Avicii is a bass-heavy Dubstep track at 145 BPM with moderate drive and subtle groove. At 69% energy, it works as an energy builder — pushing the floor forward without peaking.

Released 23 Aug 2013 · 5:02 · 50% mood · -9 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivemoderate
Warmthwarm

The bass weight is the story here — 83% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

69% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Nicky Romero.

Nicky Romero is a Dutch electronic music producer and DJ known for progressive house and mainstage techno. He has released music across multiple labels and performed at major festivals and clubs worldwide, building a…

127

Median BPM

5B

Top key

2009–2026

Active

103

Tracks

View Nicky Romero’s profile

Quick answers.

What BPM is I Could Be the One (Dank (USA) Remix)?

145 BPM — squarely in dubstep territory, mixable within roughly 140–150 BPM without pitch artefacts.

What key is I Could Be the One (Dank (USA) Remix) in?

F♯ Minor — 11A on the Camelot wheel. Harmonically compatible with 11B, 10A and 12A.

What mixes well with I Could Be the One (Dank (USA) Remix)?

Tracks in 11A, 11B, 10A or 12A between ~140–150 BPM.

Where does I Could Be the One (Dank (USA) Remix) fit in a DJ set?

Mid-set energy builder — 69% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.

Explore: 145 BPM tracks · 11A tracks · 11A → 11B key pair · Harmonic mixing guide

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Mixes well with this track

533 tracks in its harmonic window.

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Mixing out of this track.

Now145 BPM · 11A→ three ways forward
Hold the groove

11A → 11A

Same key, ±2 BPM. With 33% groove and heavy bass, long blends work — cut the incoming bass until the switch.

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90 chemistry

Push the energy

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Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

11A → 10A · 12A

Adjacent keys through a breakdown. This one runs 5:02 — the outro gives you a full phrase to work with.

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