Trap / Future Bass · 2005
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Jam On It by Newcleus is a bass-forward Trap / Future Bass track at 116 BPM with moderate drive and balanced groove. At 33% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 10 Sep 2005 · 8:15 · 40% mood · -13 dB loudness
The feel
The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
33% energy places it in the warm-up — setting the room up before the climb.
Newcleus is a producer working in trap and future bass, crafting atmospheric and rhythmically complex electronic music. Their work explores the intersection of digital textures and percussive intensity characteristic of…
116
Median BPM
11A
Top key
1984–2018
Active
3
Tracks
116 BPM — squarely in trap / future bass territory, mixable within roughly 111–121 BPM without pitch artefacts.
C♯ Minor — 12A on the Camelot wheel. Harmonically compatible with 12B, 11A and 1A.
Tracks in 12A, 12B, 11A or 1A between ~111–121 BPM.
Warm-up and opener — 33% energy with a steady groove sets the tone before the energy climbs.
Explore: 116 BPM tracks · 12A tracks · 12A → 12B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Automobile
N.W.a
116 BPM · 11B · Trap / Future Bass
Key jump · same BPM — seamless blend
Teardrop
Massive Attack
116 BPM · 11B · Trap / Future Bass
Key jump · same BPM — seamless blend
Break Dance - Electric Boogie - Sugar Hill Mix By the Scratch Perverts' Prime Cuts
West Street Mob
114 BPM · 11A · Trap / Future Bass
Adjacent key · -2 BPM — seamless blend
Ghostbusters
Ray Parker Jr.
115 BPM · 11B · Trap / Future Bass
Key jump · -1 BPM — seamless blend
Get Up On Ya Feet
Fdel
120 BPM · 11B · Trap / Future Bass
Key jump · +4 BPM — seamless blend
12A → 12A
Same key, ±2 BPM. With 46% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Know My Rights
6lack · 118 BPM · 12A
84 chemistry
12A → 12B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
12A → 11A · 1A
Adjacent keys through a breakdown. This one runs 8:15 — the outro gives you a full phrase to work with.
Break Dance - Electric Boogie - Sugar Hill Mix By the Scratch Perverts' Prime Cuts
West Street Mob · 114 BPM · 11A
88 chemistry