Rock · 1983
Motley Crue
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Too Young to Fall in Love by Motley Crue is a bass-forward Rock track at 100 BPM with moderate drive and balanced groove. At 44% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 26 Sep 1983 · 3:35 · 40% mood · -13 dB loudness
The feel
The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
44% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
100 BPM — squarely in rock territory, mixable within roughly 95–105 BPM without pitch artefacts.
G Minor — 6A on the Camelot wheel. Harmonically compatible with 6B, 5A and 7A.
Tracks in 6A, 6B, 5A or 7A between ~95–105 BPM.
Groove sustainer — 44% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 100 BPM tracks · 6A tracks · 6A → 6B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Angel Of Death
Slayer
101 BPM · 5B · Rock
Key jump · +1 BPM — seamless blend
The Number of the Beast - 1998 Remaster
Iron Maiden
98 BPM · 7A · Rock
Adjacent key · -2 BPM — seamless blend
City Boys
Burna Boy
100 BPM · 6A · African
Same key · same BPM — energy stays level
Same In The End
Sublime
103 BPM · 7A · Rock
Adjacent key · +3 BPM — seamless blend
Love Me
The 1975
97 BPM · 7B · Rock
Key jump · -3 BPM — seamless blend
6A → 6A
Same key, ±2 BPM. With 53% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Shoreline
Manuel Darquart · 100 BPM · 6A
84 chemistry
6A → 6B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
6A → 5A · 7A
Adjacent keys through a breakdown. This one runs 3:35 — the outro gives you a full phrase to work with.
The Number of the Beast - 1998 Remaster
Iron Maiden · 98 BPM · 7A
87 chemistry