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three little words album art

Trap / Future Bass · 2023

three little words

Moore Kismet, Anna Dellaria

156

BPM

7A

D Minor

Builder

Energy

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Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

three little words by Moore Kismet, Anna Dellaria is a bass-heavy Trap / Future Bass track at 156 BPM with moderate drive and subtle groove. At 57% energy, it works as an energy builder — pushing the floor forward without peaking.

Released 10 Feb 2023 · 3:24 · 58% mood · -9 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivemoderate
Warmthbalanced

The bass weight is the story here — 77% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

57% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Moore Kismet.

Trap / Future Bass producer and DJ.

143

Median BPM

2A

Top key

2020–2026

Active

24

Tracks

View Moore Kismet’s profile

Quick answers.

What BPM is three little words?

156 BPM — squarely in trap / future bass territory, mixable within roughly 151–161 BPM without pitch artefacts.

What key is three little words in?

D Minor — 7A on the Camelot wheel. Harmonically compatible with 7B, 6A and 8A.

What mixes well with three little words?

Tracks in 7A, 7B, 6A or 8A between ~151–161 BPM.

Where does three little words fit in a DJ set?

Mid-set energy builder — 57% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.

Explore: 156 BPM tracks · 7A tracks · 7A → 7B key pair · Harmonic mixing guide

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Mixes well with this track

578 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Viperactive

150 BPM · 7A · Trap / Future Bass

Same key · -6 BPM — seamless blend

86

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Marshmello

73 BPM · 6A · Trap / Future Bass

Adjacent key · -83 BPM — seamless blend

89

Marijade

RayRay

154 BPM · 7A · Trap / Future Bass

Same key · -2 BPM — seamless blend

88

While I'm Here

Polo G

154 BPM · 6A · Trap / Future Bass

Adjacent key · -2 BPM — seamless blend

87

Ain't It Different

Stormzy

154 BPM · 8A · Trap / Future Bass

Adjacent key · -2 BPM — seamless blend

Mixing out of this track.

Now156 BPM · 7A→ three ways forward
Hold the groove

7A → 7A

Same key, ±2 BPM. With 19% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Fearless

BAGG · 155 BPM · 7A

91 chemistry

Push the energy

7A → 7B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Lord Above (feat. Eminem & Mary J. Blige)

Fat Joe · 154 BPM · 7B

85 chemistry

Change direction

7A → 6A · 8A

Adjacent keys through a breakdown. This one runs 3:24 — the outro gives you a full phrase to work with.

While I'm Here

Polo G · 154 BPM · 6A

88 chemistry

More around 156 BPM in compatible keys.

How It's Done

REI AMI · 160 BPM · 7A

HIGHEST IN THE ROOM

Travis Scott · 153 BPM · 7A

Berghain - Remix

Bjork · 155 BPM · 7A

Down On Me

50 Cent · 160 BPM · 7A

Suge

DaBaby · 151 BPM · 7A

Fade

Kanye West · 152 BPM · 7A