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Tracks/She Got Dat
She Got Dat album art

Trap / Future Bass · 2016

She Got Dat

Montrose

134

BPM

5A

C Minor

Sustainer

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

She Got Dat by Montrose is a bass-heavy Trap / Future Bass track at 134 BPM with moderate drive and balanced groove. At 52% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 25 Oct 2016 · 3:56 · 42% mood · -9 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 75% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

52% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is She Got Dat?

134 BPM — squarely in trap / future bass territory, mixable within roughly 129–139 BPM without pitch artefacts.

What key is She Got Dat in?

C Minor — 5A on the Camelot wheel. Harmonically compatible with 5B, 4A and 6A.

What mixes well with She Got Dat?

Tracks in 5A, 5B, 4A or 6A between ~129–139 BPM.

Where does She Got Dat fit in a DJ set?

Groove sustainer — 52% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 134 BPM tracks · 5A tracks · 5A → 5B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

694 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
90

Da Dip

Freak Nasty

134 BPM · 5A · Trap / Future Bass

Same key · same BPM — seamless blend

89

fast n slow

Vedo

135 BPM · 5A · Trap / Future Bass

Same key · +1 BPM — seamless blend

86

Get Dripped

Lil Yachty

130 BPM · 5A · Trap / Future Bass

Same key · -4 BPM — seamless blend

84

Slide

YG

133 BPM · 5A · Trap / Future Bass

Same key · -1 BPM — seamless blend

83

THE SCOTTS

Kid Cudi

130 BPM · 5A · Trap / Future Bass

Same key · -4 BPM — seamless blend

Mixing out of this track.

Now134 BPM · 5A→ three ways forward
Hold the groove

5A → 5A

Same key, ±2 BPM. With 46% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Da Dip

Freak Nasty · 134 BPM · 5A

90 chemistry

Push the energy

5A → 5B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Quit

Cashmere Cat · 135 BPM · 5B

83 chemistry

Change direction

5A → 4A · 6A

Adjacent keys through a breakdown. This one runs 3:56 — the outro gives you a full phrase to work with.

Blasé (feat. Future & Rae Sremmurd) - Louis the Child Remix

Future · 128 BPM · 6A

83 chemistry

More around 134 BPM in compatible keys.

Judas

Lady Gaga · 131 BPM · 5A

Say My Name

Destiny's Child · 138 BPM · 5A

Hate Bein' Sober

50 Cent · 132 BPM · 5A

LA FAMA

The Weeknd · 136 BPM · 5A

Myke Towers: Bzrp Music Sessions, Vol. 42/66

Myke Towers · 136 BPM · 5A

Let's Get Loud

Jennifer Lopez · 131 BPM · 5A