Trap / Future Bass · 2022
MEYY
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Blush by MEYY is a bass-heavy Trap / Future Bass track at 152 BPM with moderate drive and balanced groove. At 45% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 9 Nov 2022 · 2:29 · 50% mood · -12 dB loudness
The feel
The warmth is the story here — 86% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
45% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
152 BPM — squarely in trap / future bass territory, mixable within roughly 147–157 BPM without pitch artefacts.
F♯ Minor — 11A on the Camelot wheel. Harmonically compatible with 11B, 10A and 12A.
Tracks in 11A, 11B, 10A or 12A between ~147–157 BPM.
Groove sustainer — 45% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 152 BPM tracks · 11A tracks · 11A → 11B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
200 km/h
Apache 207
148 BPM · 10A · Trap / Future Bass
Adjacent key · -4 BPM — seamless blend
Live Off My Closet
Future
147 BPM · 12A · Trap / Future Bass
Adjacent key · -5 BPM — seamless blend
Another Dimension
Dillon Francis
150 BPM · 11A · Trap / Future Bass
Same key · -2 BPM — seamless blend
Rolls Royce
Tisoki
152 BPM · 10B · Trap / Future Bass
Key jump · same BPM — seamless blend
Kiss Me Thru The Phone
Soulja Boy Tell'em
150 BPM · 10B · Hip-Hop
Key jump · -2 BPM — seamless blend
11A → 11A
Same key, ±2 BPM. With 53% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Another Dimension
Dillon Francis · 150 BPM · 11A
89 chemistry
11A → 11B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
cash
Love-Sadkid · 150 BPM · 11B
85 chemistry
11A → 10A · 12A
Adjacent keys through a breakdown. This one runs 2:29 — the outro gives you a full phrase to work with.
200 km/h
Apache 207 · 148 BPM · 10A
88 chemistry