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VIRTUAL CRUSH album art

Dubstep · 2021

VIRTUAL CRUSH

MARGWA

75

BPM

12A

C♯ Minor

Peak time

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

VIRTUAL CRUSH by MARGWA is a bass-heavy Dubstep track at 75 BPM with moderate drive and balanced groove. At 83% energy, it delivers peak-time intensity.

Released 4 Jun 2021 · 3:00 · 47% mood · -9 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 82% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

83% energy places it in the peak — the top of the night — full commitment, the room is already yours.

About MARGWA.

Dubstep producer and DJ.

82

Median BPM

10B

Top key

3

Tracks

View MARGWA’s profile

Quick answers.

What BPM is VIRTUAL CRUSH?

75 BPM — squarely in dubstep territory, mixable within roughly 70–80 BPM without pitch artefacts.

What key is VIRTUAL CRUSH in?

C♯ Minor — 12A on the Camelot wheel. Harmonically compatible with 12B, 11A and 1A.

What mixes well with VIRTUAL CRUSH?

Tracks in 12A, 12B, 11A or 1A between ~70–80 BPM.

Where does VIRTUAL CRUSH fit in a DJ set?

Peak-time weapon — 83% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.

Explore: 75 BPM tracks · 12A tracks · 12A → 12B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

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Mixing out of this track.

Now75 BPM · 12A→ three ways forward
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12A → 12A

Same key, ±2 BPM. With 48% groove and heavy bass, long blends work — cut the incoming bass until the switch.

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92 chemistry

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84 chemistry

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