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STOOG3S ANTH3M album art

Dubstep · 2025

STOOG3S ANTH3M

BLVNKSPVCE, SQISHI, HAMRO

73

BPM

12A

C♯ Minor

Peak time

Energy

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

STOOG3S ANTH3M by BLVNKSPVCE, SQISHI, HAMRO is a bass-heavy Dubstep track at 73 BPM with moderate drive and balanced groove. At 87% energy, it delivers peak-time intensity.

Released 21 Nov 2025 · 2:45 · 49% mood · -7 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 80% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

87% energy places it in the peak — the top of the night — full commitment, the room is already yours.

About BLVNKSPVCE.

BLVNKSPVCE is a dubstep producer working within the genre's darker and more experimental territories. Their output emphasizes heavy bass design and intricate sound design across a consistent body of work.

134

Median BPM

12B

Top key

2020–2023

Active

18

Tracks

View BLVNKSPVCE’s profile

Quick answers.

What BPM is STOOG3S ANTH3M?

73 BPM — squarely in dubstep territory, mixable within roughly 68–78 BPM without pitch artefacts.

What key is STOOG3S ANTH3M in?

C♯ Minor — 12A on the Camelot wheel. Harmonically compatible with 12B, 11A and 1A.

What mixes well with STOOG3S ANTH3M?

Tracks in 12A, 12B, 11A or 1A between ~68–78 BPM.

Where does STOOG3S ANTH3M fit in a DJ set?

Peak-time weapon — 87% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.

Explore: 73 BPM tracks · 12A tracks · 12A → 12B key pair · Harmonic mixing guide

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Music previews provided courtesy of iTunes · Listen on Apple Music

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Now73 BPM · 12A→ three ways forward
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12A → 12A

Same key, ±2 BPM. With 43% groove and heavy bass, long blends work — cut the incoming bass until the switch.

VIRTUAL CRUSH

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Change direction

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Adjacent keys through a breakdown. This one runs 2:45 — the outro gives you a full phrase to work with.

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