Deep House · 2024
M-HighChicago Hustle
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Devil - Extended by M-High, Chicago Hustle is a bass-heavy, groove-locked Deep House track at 135 BPM with moderate drive and strong groove. At 43% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 2 Aug 2024 · 3:39 · 37% mood · -11 dB loudness
The feel
The bass weight is the story here — 93% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
43% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
135 BPM — squarely in deep house territory, mixable within roughly 130–140 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~130–140 BPM.
Groove sustainer — 43% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 135 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide · Deep House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Miraflores
Chris Stussy
135 BPM · 3A · Deep House
Same key · same BPM — seamless blend
Tremont St. - Extended Mix
Chris Stussy
135 BPM · 3A · Deep House
Same key · same BPM — seamless blend
All Night Long
Chris Stussy
133 BPM · 4A · Deep House
Adjacent key · -2 BPM — seamless blend
Moon
Locklead
135 BPM · 2A · Deep House
Adjacent key · same BPM — seamless blend
Neem De Tijd
Locklead
134 BPM · 3A · Deep House
Same key · -1 BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 88% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Miraflores
Chris Stussy · 135 BPM · 3A
92 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 3:39 — the outro gives you a full phrase to work with.
Sonar
Locklead · 135 BPM · 4A
90 chemistry