Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
I Got 5 On It by Luniz, Michael Marshall is a bass-heavy Hip-Hop track at 87 BPM with moderate drive and balanced groove. At 36% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 22 Jun 1995 · 4:13 · 46% mood · -12 dB loudness
The feel
The bass weight is the story here — 84% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
36% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Luniz is a hip-hop duo from the San Francisco Bay Area known for their contributions to West Coast rap in the 1990s. The group is best recognized for their trap-influenced production style and regional impact on the Bay…
87
Median BPM
3A
Top key
1995–1996
Active
3
Tracks
87 BPM — squarely in hip-hop territory, mixable within roughly 82–92 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~82–92 BPM.
Groove sustainer — 36% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 87 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
The Next Episode
Dr. Dre
95 BPM · 2A · Hip-Hop
Adjacent key · +8 BPM — seamless blend
All I Have
LL Cool J
83 BPM · 3A · R&B
Same key · -4 BPM — seamless blend
So What'Cha Want
Beastie Boys
86 BPM · 3A · Hip-Hop
Same key · -1 BPM — seamless blend
Westside Story
The Game
87 BPM · 2A · Hip-Hop
Adjacent key · same BPM — seamless blend
Suga Suga
Baby Bash
83 BPM · 3A · R&B
Same key · -4 BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 62% groove and heavy bass, long blends work — cut the incoming bass until the switch.
All I Have
LL Cool J · 83 BPM · 3A
89 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 4:13 — the outro gives you a full phrase to work with.
Westside Story
The Game · 87 BPM · 2A
89 chemistry