Hip-Hop · 1992
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
So What'Cha Want by Beastie Boys is a bass-heavy Hip-Hop track at 86 BPM with low drive and balanced groove. At 29% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 21 Apr 1992 · 3:37 · 44% mood · -15 dB loudness
The feel
The warmth is the story here — 98% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
29% energy places it in the warm-up — setting the room up before the climb.
Hip-Hop producer and DJ.
116
Median BPM
4B
Top key
1986–1998
Active
7
Tracks
86 BPM — squarely in hip-hop territory, mixable within roughly 81–91 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~81–91 BPM.
Warm-up and opener — 29% energy with a steady groove sets the tone before the energy climbs.
Explore: 86 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
I Got 5 On It
Luniz
87 BPM · 3A · Hip-Hop
Same key · +1 BPM — seamless blend
So Fresh, So Clean
Outkast
83 BPM · 4A · Hip-Hop
Adjacent key · -3 BPM — seamless blend
Ready or Not
Fugees
89 BPM · 3A · Hip-Hop
Same key · +3 BPM — seamless blend
Suga Suga
Baby Bash
83 BPM · 3A · R&B
Same key · -3 BPM — seamless blend
Part-Time Lover
Stevie Wonder
87 BPM · 3A · R&B
Same key · +1 BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 56% groove and heavy bass, long blends work — cut the incoming bass until the switch.
I Got 5 On It
Luniz · 87 BPM · 3A
87 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Move B***h
Ludacris · 89 BPM · 3B
80 chemistry
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 3:37 — the outro gives you a full phrase to work with.
So Fresh, So Clean
Outkast · 83 BPM · 4A
89 chemistry