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Tracks/26 Missed Calls
26 Missed Calls album art

Trap / Future Bass · 2021

26 Missed Calls

Lil Muk

83

BPM

11A

F♯ Minor

Sustainer

Energy

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

26 Missed Calls by Lil Muk is a bass-heavy Trap / Future Bass track at 83 BPM with low drive and subtle groove. At 43% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 13 Jan 2021 · 2:58 · 55% mood · -12 dB loudness

The feel

Groovesubtle
Bass weightheavy
Driverestrained
Warmthcool-toned

The bass weight is the story here — 97% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

43% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is 26 Missed Calls?

83 BPM — squarely in trap / future bass territory, mixable within roughly 78–88 BPM without pitch artefacts.

What key is 26 Missed Calls in?

F♯ Minor — 11A on the Camelot wheel. Harmonically compatible with 11B, 10A and 12A.

What mixes well with 26 Missed Calls?

Tracks in 11A, 11B, 10A or 12A between ~78–88 BPM.

Where does 26 Missed Calls fit in a DJ set?

Groove sustainer — 43% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 83 BPM tracks · 11A tracks · 11A → 11B key pair · Harmonic mixing guide

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Mixes well with this track

600 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Mixing out of this track.

Now83 BPM · 11A→ three ways forward
Hold the groove

11A → 11A

Same key, ±2 BPM. With 0% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Stargaze

DJ Fixx · 85 BPM · 11A

85 chemistry

Push the energy

11A → 11B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Fault Line

Pauline Herr · 85 BPM · 11B

83 chemistry

Change direction

11A → 10A · 12A

Adjacent keys through a breakdown. This one runs 2:58 — the outro gives you a full phrase to work with.

Shot Clock

Ella Mai · 79 BPM · 10A

83 chemistry

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