Electronica · 2020
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Music for Screen Tests by Leif is a bass-heavy Electronica track at 100 BPM with high drive and subtle groove. At 32% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 17 Apr 2020 · 54:24 · 34% mood · -15 dB loudness
The feel
The bass weight is the story here — 98% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
32% energy places it in the warm-up — setting the room up before the climb.
Ambient / Experimental producer and DJ.
126
Median BPM
5A
Top key
9
Tracks
100 BPM — squarely in electronica territory, mixable within roughly 95–105 BPM without pitch artefacts.
D Minor — 7A on the Camelot wheel. Harmonically compatible with 7B, 6A and 8A.
Tracks in 7A, 7B, 6A or 8A between ~95–105 BPM.
Warm-up and opener — 32% energy sets the tone before the energy climbs.
Explore: 100 BPM tracks · 7A tracks · 7A → 7B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Existing Closer or Deeper in Space
Earthen Sea
103 BPM · 7A · Electronica
Same key · +3 BPM — seamless blend
Oscar feat. Anna Clementi
Tosca
100 BPM · 8A · Electronica
Adjacent key · same BPM — seamless blend
Joan
Hayes Bradley
100 BPM · 7A · Electronica
Same key · same BPM — seamless blend
Waiting in Arisaig
Lord Of The Isles
103 BPM · 8A · Electronica
Adjacent key · +3 BPM — seamless blend
Submerged Liturgy
Chatel Hill
100 BPM · 6A · Electronica
Adjacent key · same BPM — seamless blend
7A → 7A
Same key, ±2 BPM. With 30% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Joan
Hayes Bradley · 100 BPM · 7A
91 chemistry
7A → 7B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
7A → 6A · 8A
Adjacent keys through a breakdown. This one runs 54:24 — the outro gives you a full phrase to work with.
Submerged Liturgy
Chatel Hill · 100 BPM · 6A
90 chemistry