Hip-Hop · 2021
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Super Gremlin by Kodak Black is a bass-heavy Hip-Hop track at 146 BPM with moderate drive and balanced groove. At 43% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 28 Oct 2021 · 3:20 · 53% mood · -10 dB loudness
The feel
The bass weight is the story here — 88% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
43% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Hip-Hop producer and DJ.
145
Median BPM
12A
Top key
2014–2023
Active
3
Tracks
146 BPM — squarely in hip-hop territory, mixable within roughly 141–151 BPM without pitch artefacts.
E Minor — 9A on the Camelot wheel. Harmonically compatible with 9B, 8A and 10A.
Tracks in 9A, 9B, 8A or 10A between ~141–151 BPM.
Groove sustainer — 43% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 146 BPM tracks · 9A tracks · 9A → 9B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
WHATS POPPIN
Jack Harlow
145 BPM · 9A · Hip-Hop
Same key · -1 BPM — seamless blend
Money Trees
Jay Rock
144 BPM · 9A · Hip-Hop
Same key · -2 BPM — seamless blend
Holy Grail
Jay-Z
145 BPM · 8B · Hip-Hop
Key jump · -1 BPM — seamless blend
For The Moment
Chris Brown
144 BPM · 8A · R&B
Adjacent key · -2 BPM — seamless blend
XO Tour Llif3
Lil Uzi Vert
154 BPM · 10A · Hip-Hop
Adjacent key · +8 BPM — seamless blend
9A → 9A
Same key, ±2 BPM. With 43% groove and heavy bass, long blends work — cut the incoming bass until the switch.
WHATS POPPIN
Jack Harlow · 145 BPM · 9A
93 chemistry
9A → 9B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
9A → 8A · 10A
Adjacent keys through a breakdown. This one runs 3:20 — the outro gives you a full phrase to work with.
For The Moment
Chris Brown · 144 BPM · 8A
84 chemistry