Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Mine by Kill The Noise, Bryn Christopher is a bass-heavy Dubstep track at 145 BPM with moderate drive and balanced groove. At 71% energy, it delivers peak-time intensity.
Released 9 Oct 2015 · 2:56 · 46% mood · -10 dB loudness
The feel
The bass weight is the story here — 78% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
71% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Kill The Noise is a dubstep producer and electronic musician known for bass-heavy production and dynamic sound design. His work spans the dubstep and drum and bass spectrum, with releases across multiple independent and…
128
Median BPM
9A
Top key
2012–2025
Active
49
Tracks
145 BPM — squarely in dubstep territory, mixable within roughly 140–150 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~140–150 BPM.
Peak-time weapon — 71% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 145 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Chaos Theory
GRiZ
70 BPM · 4A · Dubstep
Adjacent key · half-time — seamless blend
IMY
Dion Timmer
145 BPM · 2A · Dubstep
Adjacent key · same BPM — seamless blend
Caught In A Mosh
Svdden Death
145 BPM · 4A · Dubstep
Adjacent key · same BPM — seamless blend
REVENGE
Beastboi.
145 BPM · 4A · Dubstep
Adjacent key · same BPM — seamless blend
Bahebe
Dirty Audio
145 BPM · 2A · Dubstep
Adjacent key · same BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 44% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Under Water - VIP
Adair · 145 BPM · 3A
92 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 2:56 — the outro gives you a full phrase to work with.
Caught In A Mosh
Svdden Death · 145 BPM · 4A
90 chemistry