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Mine album art

Dubstep · 2015

Mine

Kill The Noise, Bryn Christopher

145

BPM

3A

B♭ Minor

Peak time

Energy

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Mine by Kill The Noise, Bryn Christopher is a bass-heavy Dubstep track at 145 BPM with moderate drive and balanced groove. At 71% energy, it delivers peak-time intensity.

Released 9 Oct 2015 · 2:56 · 46% mood · -10 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthbalanced

The bass weight is the story here — 78% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

71% energy places it in the peak — the top of the night — full commitment, the room is already yours.

About Kill The Noise.

Kill The Noise is a dubstep producer and electronic musician known for bass-heavy production and dynamic sound design. His work spans the dubstep and drum and bass spectrum, with releases across multiple independent and…

128

Median BPM

9A

Top key

2012–2025

Active

49

Tracks

View Kill The Noise’s profile

Quick answers.

What BPM is Mine?

145 BPM — squarely in dubstep territory, mixable within roughly 140–150 BPM without pitch artefacts.

What key is Mine in?

B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.

What mixes well with Mine?

Tracks in 3A, 3B, 2A or 4A between ~140–150 BPM.

Where does Mine fit in a DJ set?

Peak-time weapon — 71% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.

Explore: 145 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide

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Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

490 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Mixing out of this track.

Now145 BPM · 3A→ three ways forward
Hold the groove

3A → 3A

Same key, ±2 BPM. With 44% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Under Water - VIP

Adair · 145 BPM · 3A

92 chemistry

Push the energy

3A → 3B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

3A → 2A · 4A

Adjacent keys through a breakdown. This one runs 2:56 — the outro gives you a full phrase to work with.

Caught In A Mosh

Svdden Death · 145 BPM · 4A

90 chemistry

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