Hip-Hop · 2019
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Heartless by Kanye West is a bass-heavy Hip-Hop track at 88 BPM with moderate drive and balanced groove. At 48% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 1 Feb 2019 · 3:31 · 38% mood · -9 dB loudness
The feel
The bass weight is the story here — 93% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
48% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Kanye West is a hip-hop producer and rapper who emerged in the early 2000s and became known for his innovative production work and solo albums.
98
Median BPM
2A
Top key
2004–2025
Active
39
Tracks
88 BPM — squarely in hip-hop territory, mixable within roughly 83–93 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~83–93 BPM.
Groove sustainer — 48% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 88 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
F**kin' Problems
Drake
96 BPM · 3A · Hip-Hop
Same key · +8 BPM — seamless blend
This D.J.
Warren G
92 BPM · 3A · Hip-Hop
Same key · +4 BPM — seamless blend
Homecoming
Chris Martin
87 BPM · 4A · Hip-Hop
Adjacent key · -1 BPM — seamless blend
Good Life
Kanye West
85 BPM · 3A · Hip-Hop
Same key · -3 BPM — seamless blend
Aston Martin Music
Drake
86 BPM · 3A · Hip-Hop
Same key · -2 BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 52% groove and heavy bass, long blends work — cut the incoming bass until the switch.
This D.J.
Warren G · 92 BPM · 3A
93 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
WAIT FOR U
Drake · 85 BPM · 3B
84 chemistry
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 3:31 — the outro gives you a full phrase to work with.
Homecoming
Chris Martin · 87 BPM · 4A
87 chemistry