Deep House · 2019
Junior Capriati
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
The Wrong Move by Junior Capriati is a bass-heavy, groove-locked Deep House track at 124 BPM with moderate drive and strong groove. At 61% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 25 Sep 2019 · 4:56 · 41% mood · -8 dB loudness
The feel
The bass weight is the story here — 93% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
61% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
124 BPM — squarely in deep house territory, mixable within roughly 119–129 BPM without pitch artefacts.
G Minor — 6A on the Camelot wheel. Harmonically compatible with 6B, 5A and 7A.
Tracks in 6A, 6B, 5A or 7A between ~119–129 BPM.
Mid-set energy builder — 61% energy with strong groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 124 BPM tracks · 6A tracks · 6A → 6B key pair · Harmonic mixing guide · Deep House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
All By Myself
Mita Gami
124 BPM · 6A · Deep House
Same key · same BPM — seamless blend
Back In Time
Ricky Razu
124 BPM · 5A · Deep House
Adjacent key · same BPM — seamless blend
Give It Up - Extended Mix
Jerro
123 BPM · 6A · Deep House
Same key · -1 BPM — seamless blend
Izinque - Alessio Cala' Remix
Angelo Ferreri
122 BPM · 5A · Deep House
Adjacent key · -2 BPM — seamless blend
Breaks For Peace
Dario D'Attis
123 BPM · 6A · Deep House
Same key · -1 BPM — seamless blend
6A → 6A
Same key, ±2 BPM. With 87% groove and heavy bass, long blends work — cut the incoming bass until the switch.
All By Myself
Mita Gami · 124 BPM · 6A
93 chemistry
6A → 6B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
6A → 5A · 7A
Adjacent keys through a breakdown. This one runs 4:56 — the outro gives you a full phrase to work with.
Back In Time
Ricky Razu · 124 BPM · 5A
91 chemistry