Dubstep · 2026
No preview available for this track
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
LIGHTS GO OUT - Dennett Remix by John Summit is a bass-heavy Dubstep track at 144 BPM with high drive and subtle groove. At 82% energy, it delivers peak-time intensity.
Released 20 Feb 2026 · 2:46 · 46% mood · -9 dB loudness
The feel
The bass weight is the story here — 86% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
82% energy places it in the peak — the top of the night — full commitment, the room is already yours.
John Summit is a tech house producer and DJ known for crafting deep, groove-oriented tracks that blend melodic elements with driving rhythms.
127
Median BPM
8A
Top key
2018–2026
Active
53
Tracks
144 BPM — squarely in dubstep territory, mixable within roughly 139–149 BPM without pitch artefacts.
A♭ Minor — 1A on the Camelot wheel. Harmonically compatible with 1B, 12A and 2A.
Tracks in 1A, 1B, 12A or 2A between ~139–149 BPM.
Peak-time weapon — 82% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 144 BPM tracks · 1A tracks · 1A → 1B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
ID - HOL! Remix
Monxx
144 BPM · 2A · Dubstep
Adjacent key · same BPM — seamless blend
Me N You
YDG
141 BPM · 2A · Dubstep
Adjacent key · -3 BPM — seamless blend
Retro
Automhate
145 BPM · 12A · Dubstep
Adjacent key · +1 BPM — seamless blend
Take Me Down
Highlnd
145 BPM · 1A · Dubstep
Same key · +1 BPM — seamless blend
Subject: Wonk
GorillaT
143 BPM · 12A · Dubstep
Adjacent key · -1 BPM — seamless blend
1A → 1A
Same key, ±2 BPM. With 12% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Take Me Down
Highlnd · 145 BPM · 1A
88 chemistry
1A → 1B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
1A → 12A · 2A
Adjacent keys through a breakdown. This one runs 2:46 — the outro gives you a full phrase to work with.
Retro
Automhate · 145 BPM · 12A
89 chemistry