Rock · 2006
AFI
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Miss Murder by AFI is a bass-heavy Rock track at 143 BPM with moderate drive and balanced groove. At 55% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 2 Jun 2006 · 3:26 · 43% mood · -11 dB loudness
The feel
The bass weight is the story here — 80% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
55% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
143 BPM — squarely in rock territory, mixable within roughly 138–148 BPM without pitch artefacts.
A♭ Minor — 1A on the Camelot wheel. Harmonically compatible with 1B, 12A and 2A.
Tracks in 1A, 1B, 12A or 2A between ~138–148 BPM.
Groove sustainer — 55% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 143 BPM tracks · 1A tracks · 1A → 1B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Born to Run
Bruce Springsteen
143 BPM · 12B · Rock
Key jump · same BPM — seamless blend
Running in Pairs
Rino
145 BPM · 1A · Electronica
Same key · +2 BPM — energy stays level
Bleed It Out
Linkin Park
140 BPM · 11A · Rock
Energy-boost key · -3 BPM — seamless blend
Believer - Extended Mix
Showtek
145 BPM · 1A · Dance
Same key · +2 BPM — energy stays level
Soul
Unlike Pluto
145 BPM · 1A · Dance
Same key · +2 BPM — energy stays level
1A → 1A
Same key, ±2 BPM. With 44% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Running in Pairs
Rino · 145 BPM · 1A
83 chemistry
1A → 1B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
1A → 12A · 2A
Adjacent keys through a breakdown. This one runs 3:26 — the outro gives you a full phrase to work with.