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Tracks/From Ashes To Love
From Ashes To Love album art

Dubstep · 2023

From Ashes To Love

Jason Ross, Trivecta, RBBTS

151

BPM

11B

A Major

Builder

Energy

Score with another track
Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

From Ashes To Love by Jason Ross, Trivecta, RBBTS is a bass-heavy Dubstep track at 151 BPM with moderate drive and subtle groove. At 61% energy, it works as an energy builder — pushing the floor forward without peaking.

Released 10 Feb 2023 · 4:25 · 59% mood · -10 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 79% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

61% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Jason Ross.

Jason Ross is a trance producer and DJ known for his work in progressive and uplifting trance. His productions blend melodic elements with driving rhythms characteristic of the main floor trance sound.

128

Median BPM

12A

Top key

2014–2026

Active

51

Tracks

View Jason Ross’s profile

Quick answers.

What BPM is From Ashes To Love?

151 BPM — squarely in dubstep territory, mixable within roughly 146–156 BPM without pitch artefacts.

What key is From Ashes To Love in?

A Major — 11B on the Camelot wheel. Harmonically compatible with 11A, 10B and 12B.

What mixes well with From Ashes To Love?

Tracks in 11B, 11A, 10B or 12B between ~146–156 BPM.

Where does From Ashes To Love fit in a DJ set?

Mid-set energy builder — 61% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.

Explore: 151 BPM tracks · 11B tracks · 11B → 11A key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

538 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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88

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Excision

150 BPM · 10B · Dubstep

Adjacent key · -1 BPM — seamless blend

89

TWIN FLAME

Deafny

149 BPM · 12A · Dubstep

Key jump · -2 BPM — seamless blend

85

Alone feat. Our Last Night - Sullivan King Remix

Kayzo

150 BPM · 11A · Dubstep

Relative key · -1 BPM — seamless blend

89

The Pit

Ookay

150 BPM · 11B · Dubstep

Same key · -1 BPM — seamless blend

86

Low End Theory

Bandlez

150 BPM · 12B · Dubstep

Adjacent key · -1 BPM — seamless blend

Mixing out of this track.

Now151 BPM · 11B→ three ways forward
Hold the groove

11B → 11B

Same key, ±2 BPM. With 8% groove and heavy bass, long blends work — cut the incoming bass until the switch.

The Pit

Ookay · 150 BPM · 11B

89 chemistry

Push the energy

11B → 11A

Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Alone feat. Our Last Night - Sullivan King Remix

Kayzo · 150 BPM · 11A

85 chemistry

Change direction

11B → 10B · 12B

Adjacent keys through a breakdown. This one runs 4:25 — the outro gives you a full phrase to work with.

Bass To The Dome

Excision · 150 BPM · 10B

88 chemistry

More around 151 BPM in compatible keys.

EL AMOR DE SU VIDA

Grupo Frontera · 150 BPM · 11B

Midnight Sun

Zara Larsson · 151 BPM · 11B

What the Hell

Avril Lavigne · 150 BPM · 11B

Black Out Days (Stay Away) - Stay Away

Phantogram · 156 BPM · 11B

Wrong Way

Sublime · 149 BPM · 11B

Intentions

Justin Bieber · 148 BPM · 11B