Dubstep · 2018
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Thinking of You by Jarvis (UK) is a bass-heavy Dubstep track at 150 BPM with moderate drive and balanced groove. At 59% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 15 Jun 2018 · 4:28 · 47% mood · -8 dB loudness
The feel
The bass weight is the story here — 78% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
59% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Jarvis is a UK-based dubstep producer working within the genre's electronic landscape. His work engages with the darker, bass-heavy aesthetics central to dubstep production.
137
Median BPM
7B
Top key
2018
Active
14
Tracks
150 BPM — squarely in dubstep territory, mixable within roughly 145–155 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~145–155 BPM.
Mid-set energy builder — 59% energy with a steady groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 150 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Vibe Check
GRiZ
150 BPM · 7A · Dubstep
Adjacent key · same BPM — seamless blend
Speedrun
Skybreak
150 BPM · 7A · Dubstep
Adjacent key · same BPM — seamless blend
Fiyah
Ahee
150 BPM · 9A · Dubstep
Adjacent key · same BPM — seamless blend
Nothing Left (feat. RUNN)
William Black
150 BPM · 7A · Dubstep
Adjacent key · same BPM — seamless blend
FEAR-TECH
Beastboi.
150 BPM · 9A · Dubstep
Adjacent key · same BPM — seamless blend
8A → 8A
Same key, ±2 BPM. With 56% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Fucking Noise
Stratus · 150 BPM · 8A
93 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 4:28 — the outro gives you a full phrase to work with.
Speedrun
Skybreak · 150 BPM · 7A
92 chemistry