Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
From a World to Another by Jacques, Polo & Pan is a bass-heavy, groove-locked Dance track at 111 BPM with moderate drive and strong groove. At 55% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 22 Jul 2022 · 4:47 · 36% mood · -10 dB loudness
The feel
The bass weight is the story here — 96% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
55% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
111 BPM — squarely in dance territory, mixable within roughly 106–116 BPM without pitch artefacts.
G Minor — 6A on the Camelot wheel. Harmonically compatible with 6B, 5A and 7A.
Tracks in 6A, 6B, 5A or 7A between ~106–116 BPM.
Groove sustainer — 55% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 111 BPM tracks · 6A tracks · 6A → 6B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Call Me
Gabry Ponte
110 BPM · 7A · Dance
Adjacent key · -1 BPM — seamless blend
I Can't Go For That (No Can Do) - Pomo Remix
Daryl Hall
111 BPM · 5A · Dance
Adjacent key · same BPM — seamless blend
Something to Believe In - Extended Mix
Rokston
110 BPM · 5A · Dance
Adjacent key · -1 BPM — seamless blend
Encore feat. King Sis - Sarah, the Illstrumentalist Remix
Sarah, the Illstrumentalist
110 BPM · 5A · Dance
Adjacent key · -1 BPM — seamless blend
Nobody Khan (Ain't Nobody)
Chaka Khan
114 BPM · 5A · Dance
Adjacent key · +3 BPM — seamless blend
6A → 6A
Same key, ±2 BPM. With 80% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Attention
Ugur Celik · 112 BPM · 6A
89 chemistry
6A → 6B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
2 Little 2 Late
Mario · 110 BPM · 6B
85 chemistry
6A → 5A · 7A
Adjacent keys through a breakdown. This one runs 4:47 — the outro gives you a full phrase to work with.
Call Me
Gabry Ponte · 110 BPM · 7A
90 chemistry