
140 / Deep Dubstep / Grime · 2022
J. Kongimakemusicbtw
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Set by J. Kong, imakemusicbtw is a bass-heavy 140 / Deep Dubstep / Grime track at 140 BPM with moderate drive and subtle groove. At 72% energy, it delivers peak-time intensity.
Released 28 Oct 2022 · 3:40 · 39% mood · -10 dB loudness
The feel
The bass weight is the story here — 99% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
72% energy places it in the peak — the top of the night — full commitment, the room is already yours.
140 BPM — squarely in 140 / deep dubstep / grime territory, mixable within roughly 135–145 BPM without pitch artefacts.
A♭ Minor — 1A on the Camelot wheel. Harmonically compatible with 1B, 12A and 2A.
Tracks in 1A, 1B, 12A or 2A between ~135–145 BPM.
Peak-time weapon — 72% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 140 BPM tracks · 1A tracks · 1A → 1B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Tokyo
Klinical
142 BPM · 1A · 140 / Deep Dubstep / Grime
Same key · +2 BPM — seamless blend
Fact Not Fiction
Caspa
140 BPM · 2A · 140 / Deep Dubstep / Grime
Adjacent key · same BPM — seamless blend
Mind
Phrva
140 BPM · 2A · 140 / Deep Dubstep / Grime
Adjacent key · same BPM — seamless blend
Portland
Ternion Sound
140 BPM · 2A · 140 / Deep Dubstep / Grime
Adjacent key · same BPM — seamless blend
GO 140
BSEARL
140 BPM · 12B · 140 / Deep Dubstep / Grime
Key jump · same BPM — seamless blend
1A → 1A
Same key, ±2 BPM. With 20% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Regulatin
Siskiyou · 141 BPM · 1A
90 chemistry
1A → 1B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
1A → 12A · 2A
Adjacent keys through a breakdown. This one runs 3:40 — the outro gives you a full phrase to work with.
Portland
Ternion Sound · 140 BPM · 2A
89 chemistry