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Tracks/Nutbush City Limits
Nutbush City Limits album art

R&B · 2008

Nutbush City Limits

Ike And Tina Turner

150

BPM

8A

A Minor

Warm-up

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

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Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Nutbush City Limits by Ike And Tina Turner is a bass-forward, groove-locked R&B / Soul track at 150 BPM with low drive and strong groove. At 34% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 30 Sep 2008 · 3:01 · 39% mood · -14 dB loudness

The feel

Groovelocked in
Bass weightforward
Driverestrained
Warmthwarm

The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

34% energy places it in the warm-up — setting the room up before the climb.

Quick answers.

What BPM is Nutbush City Limits?

150 BPM — squarely in r&b territory, mixable within roughly 145–155 BPM without pitch artefacts.

What key is Nutbush City Limits in?

A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.

What mixes well with Nutbush City Limits?

Tracks in 8A, 8B, 7A or 9A between ~145–155 BPM.

Where does Nutbush City Limits fit in a DJ set?

Warm-up and opener — 34% energy with strong groove sets the tone before the energy climbs.

Explore: 150 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

393 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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84

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76

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80

On & On

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Mixing out of this track.

Now150 BPM · 8A→ three ways forward
Hold the groove

8A → 8A

Same key, ±2 BPM. With 76% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Doggy Dogg World

Tha Dogg Pound · 149 BPM · 8A

84 chemistry

Push the energy

8A → 8B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Leave The Door Open

Bruno Mars · 148 BPM · 8B

86 chemistry

Change direction

8A → 7A · 9A

Adjacent keys through a breakdown. This one runs 3:01 — the outro gives you a full phrase to work with.

Over U

LIOHN · 152 BPM · 9A

83 chemistry

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