Trap / Future Bass · 2015
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
It Should Have Been You - Larry Levan Mix by Gwen Guthrie is a bass-forward, groove-locked Trap / Future Bass track at 117 BPM with moderate drive and strong groove. At 29% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 8 May 2015 · 7:07 · 36% mood · -14 dB loudness
The feel
The groove is the story here — 77% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
29% energy places it in the warm-up — setting the room up before the climb.
Gwen Guthrie is a soul and dance music vocalist and songwriter known for her work in electronic and funk-influenced dance production. Her vocal performances blend soulful expression with rhythmic precision, contributing…
111
Median BPM
10A
Top key
1982–1996
Active
5
Tracks
117 BPM — squarely in trap / future bass territory, mixable within roughly 112–122 BPM without pitch artefacts.
B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.
Tracks in 10A, 10B, 9A or 11A between ~112–122 BPM.
Warm-up and opener — 29% energy with strong groove sets the tone before the energy climbs.
Explore: 117 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
We Got A Love Thang
CeCe Peniston
120 BPM · 9B · Trap / Future Bass
Key jump · +3 BPM — seamless blend
Feels Good
Tony! Toni! Tone!
117 BPM · 10A · Trap / Future Bass
Same key · same BPM — seamless blend
Witchoo
Durand Jones & The Indications
118 BPM · 11A · Trap / Future Bass
Adjacent key · +1 BPM — seamless blend
Rapper's Delight
The Sugarhill Gang
110 BPM · 10A · Trap / Future Bass
Same key · -7 BPM — seamless blend
Ghostbusters
Ray Parker Jr.
115 BPM · 11B · Trap / Future Bass
Key jump · -2 BPM — seamless blend
10A → 10A
Same key, ±2 BPM. With 77% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Trapped - 12" Vocal Regisford Mix
Colonel Abrams · 115 BPM · 10A
87 chemistry
10A → 10B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Still in the Groove
Ray Parker Jr. · 119 BPM · 10B
81 chemistry
10A → 9A · 11A
Adjacent keys through a breakdown. This one runs 7:07 — the outro gives you a full phrase to work with.
Witchoo
Durand Jones & The Indications · 118 BPM · 11A
86 chemistry