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Tracks/Crazy
Crazy album art

Pop · 2006

Crazy

Gnarls Barkley, Danger Mouse, CeeLo Green

112

BPM

5A

C Minor

Sustainer

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Crazy by Gnarls Barkley, Danger Mouse, CeeLo Green is a bass-heavy Pop track at 112 BPM with moderate drive and strong groove. At 47% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 24 Apr 2006 · 2:57 · 39% mood · -11 dB loudness

The feel

Groovestrong
Bass weightheavy
Drivemoderate
Warmthwarm

The warmth is the story here — 94% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

47% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is Crazy?

112 BPM — squarely in pop territory, mixable within roughly 107–117 BPM without pitch artefacts.

What key is Crazy in?

C Minor — 5A on the Camelot wheel. Harmonically compatible with 5B, 4A and 6A.

What mixes well with Crazy?

Tracks in 5A, 5B, 4A or 6A between ~107–117 BPM.

Where does Crazy fit in a DJ set?

Groove sustainer — 47% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 112 BPM tracks · 5A tracks · 5A → 5B key pair · Harmonic mixing guide · Pop mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

429 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
88

DAISIES

Justin Bieber

110 BPM · 4B · Pop

Key jump · -2 BPM — seamless blend

91

I just wanna be happy

Ray Dalton

112 BPM · 4A · Pop

Adjacent key · same BPM — seamless blend

84

Move Along

The All-American Rejects

110 BPM · 5B · Pop

Relative key · -2 BPM — seamless blend

86

Taste

Sabrina Carpenter

113 BPM · 5B · Pop

Relative key · +1 BPM — seamless blend

83

Number 1

Tinchy Stryder

115 BPM · 5A · Pop

Same key · +3 BPM — seamless blend

Mixing out of this track.

Now112 BPM · 5A→ three ways forward
Hold the groove

5A → 5A

Same key, ±2 BPM. With 70% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Encore feat. King Sis - Sarah, the Illstrumentalist Remix

Sarah, the Illstrumentalist · 110 BPM · 5A

85 chemistry

Push the energy

5A → 5B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Taste

Sabrina Carpenter · 113 BPM · 5B

86 chemistry

Change direction

5A → 4A · 6A

Adjacent keys through a breakdown. This one runs 2:57 — the outro gives you a full phrase to work with.

I just wanna be happy

Ray Dalton · 112 BPM · 4A

91 chemistry

More around 112 BPM in compatible keys.

The Hills

The Weeknd · 113 BPM · 5A

Treasure

Bruno Mars · 116 BPM · 5A

Permitame

Yandel · 107 BPM · 5A

Ever Since U Left Me (I Went Deaf)

Max B · 107 BPM · 5A

Hot (Remix) [feat. Gunna and Travis Scott]

Gunna · 112 BPM · 5A

Me & U

Tems · 112 BPM · 5A