Trap / Future Bass · 2018
Final Boss
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Low & Behold feat. Harry the Bastard by Final Boss is a bass-heavy Trap / Future Bass track at 140 BPM with moderate drive and subtle groove. At 41% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 7 Sep 2018 · 2:40 · 45% mood · -15 dB loudness
The feel
The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
41% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
140 BPM — squarely in trap / future bass territory, mixable within roughly 135–145 BPM without pitch artefacts.
E Minor — 9A on the Camelot wheel. Harmonically compatible with 9B, 8A and 10A.
Tracks in 9A, 9B, 8A or 10A between ~135–145 BPM.
Groove sustainer — 41% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 140 BPM tracks · 9A tracks · 9A → 9B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Swing it to Kane
TheAdult
140 BPM · 9A · Trap / Future Bass
Same key · same BPM — seamless blend
Sass Pancakes
Ashnikko
136 BPM · 9A · Trap / Future Bass
Same key · -4 BPM — seamless blend
G.O.D. (GRIND OR DIE) [feat. Leat'eq] - Extended Mix
Flosstradamus
136 BPM · 9A · Trap / Future Bass
Same key · -4 BPM — seamless blend
New Freezer
Kendrick Lamar
140 BPM · 9A · Trap / Future Bass
Same key · same BPM — seamless blend
God's Plan
Drake
77 BPM · 9A · Trap / Future Bass
Same key · -63 BPM — seamless blend
9A → 9A
Same key, ±2 BPM. With 28% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Swing it to Kane
TheAdult · 140 BPM · 9A
89 chemistry
9A → 9B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
9A → 8A · 10A
Adjacent keys through a breakdown. This one runs 2:40 — the outro gives you a full phrase to work with.
Ain't It Different - Conducta Remix
Stormzy · 139 BPM · 8A
86 chemistry